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Theses/Dissertations from 2024

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EXPERT PERCEPTIONS OF NEEDS OF PREGNANT INDIVIDUALS WITH SUBSTANCE USE DISORDER IN KENTUCKY: A QUALITATIVE MULTIPLE CASE STUDY, Emma Foret Latham

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SCULPTING TIME: A PERFORMANCE GUIDE TO FOUR FRAGMENTS OF TIME BY MARCUS SIQUEIRA, Luis Felipe Vargas Magdaleno de Moraes

Theses/Dissertations from 2023

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Music Therapy at an Inclusive Early Learning Center: A Grant Proposal, Laura Elliott Buckner

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THE EXPLORATION OF CLINICAL WISDOM OF MUSIC THERAPISTS WORKING WITH ADULTS WITH SEVERE AND PROFOUND INTELLECTUAL DISABILITY: A MULTIPLE CASE STUDY, Courtney Catron

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A CONDUCTOR’S ANALYSIS OF SELECTED A CAPPELLA WORKS BY SAMUEL COLERIDGE-TAYLOR, William Bernard Chandler III

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Hildegard Fantasy, Julianna Charnigo

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GESTURE AND THE AUDITORY IMPACT ON THE PERCEPTION OF SOUND: A PERFORMANCE GUIDE FOR UNDERSTANDING GESTURAL FUNCTION ON PERCUSSION PEDAGOGY AND PERFORMANCE, Emily Lane Durocher

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“Songs of the Underground” – Crafting a Unique Gaming Experience through Music, Megan Franklin

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JULIE GIROUX’S SYMPHONY NO. 6: THE BLUE MARBLE BACKGROUND, ANALYSIS, AND CONDUCTOR’S GUIDE, Josh Gillen

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THE YI CYCLE: FINDING THE ‘EXISTING’ AND ‘POTENTIAL’ IN TAN DUN’S INTERCOURSE OF FIRE AND WATER FOR CELLO SOLO, Kevin He

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FROM A HUMBLE CRY TO A HOLY CHACONNE: THE BACKGROUND, ANALYSIS, AND PERFORMANCE GUIDE TO CHACONNE FOR TOKKAE, OP. 96 BY M. W. JOHANN KIM, JuRang Kim

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Musical Portraiture In Acht Korte Karakterschetsen Voor Piano Vierhandig By Hans Osieck, Yuri Kim

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RELOJERÍAS SENSIBLES BY JUAN TRIGOS – A PERFORMANCE GUIDE, Geraldo Leite da Costa Neto

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A CONTEXTUAL HISTORY AND MODERN EDITION OF J. HYDE’S 1799 ENGLISH TRUMPET TREATISE: A NEW AND COMPLEAT PRECEPTOR FOR THE TRUMPET & BUGLE HORN: WITH THE WHOLE OF CAVALRY DUTY AS APPROVED OF AND ORDERED BY HIS ROYAL HIGHNESS THE DUKE OF YORK … TO WHICH IS ADDED A SELECTION OF AIRS, MARCHES & QUICK STEPS FOR THREE TRUMPETS, A SCALE OF THE CHROMATIC TRUMPET WITH AIRS ADAPTED FOR IT, AND A COLLECTION OF BUGLE HORN DUETS, Clinton Gregory Linkmeyer

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The Three E’s of Horn Repertoire: From Excerpts to Etudes to Employment, Briana Pepilascov-Childers

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Exploring Cary Boyce's 'Kosmos', Kristina Ploeger-Hekmatpanah

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A History of Educational Concerts of the Pittsburgh Symphony Orchestra, Sean Radermacher

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A BRIEF TEACHER TRAINING ON USING MUSIC TO SUPPORT SOCIAL EMOTIONAL LEARNING IN PRESCHOOL: TRAINING MATERIALS DEVELOPMENT, Alaina K. Sheridan

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DAVID GILLINGHAM’S STAINED GLASS FOR WIND ENSEMBLE: A TRANSCRIPTION FROM THE STANDARD PERCUSSION REPERTOIRE, Ashley Shoupe

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Discussions and Creations: Experiences of Black Music Therapy Graduate Students Building Community and Belonging, Rebekah Irene Spann

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Polyrhythmic Pathways: Using Bimanual Coordination Research to Develop a New Framework for Practice, Performance, and Pedagogy, Christian Swafford

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SECONDARY TRAUMATIC STRESS AND WOMEN MUSIC EDUCATORS: A PHENOMENOLOGICAL STUDY, Abigail Van Klompenberg

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INCORPORATING ACTIVISM INTO CONTEMPORARY MUSIC: AN ANALYSIS OF A COMPOSITION PORTFOLIO, Mary Walsh

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A DEFENSE OF PSALM SINGING: SOLUTIONS TO CONTEMPORARY PRACTICE, Philip W. Webb

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A Pianist Looks at Gerald Finzi's A Young Man's Exhortation, Op. 14, Mary Ann Wilder