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Theses/Dissertations from 2013

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Unlocking the Paradox of Christian Metal Music, Eric S. Strother

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WHAT KEEPS US WELL? PROFESSIONAL QUALITY OF LIFE AND CAREER SUSTAINING BEHAVIORS OF MUSIC THERAPY PROFESSIONALS, Shane C. Swezey

Theses/Dissertations from 2012

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THE EFFECT OF MINDFUL LISTENING INSTRUCTION ON LISTENING SENSITIVITY AND ENJOYMENT, William Todd Anderson

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April: A Song Cycle for Low Voice and Chamber Orchestra, Daniel Arnold

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Elegies for Cello and Piano by Bridge, Britten and Delius: A Study of Traditions and Influences, Sara Gardner Birnbaum

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OPERA AND THE MODERN CULTURE OF FILM: THE GENESIS OF CINEMOPERA, ITS INTERTEXTUALITY AND EXPANSION OF OPERATIC SOURCE MATERIAL, Yuell "Chuck" E. Chandler IV

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LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH VINGT ETUDES, Evan Benjamin Duke

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EXPRESSION IN TECHNICAL EXERCISES FOR THE CELLO: AN ARTISTIC APPROACH TO TEACHING AND LEARNING THE CAPRICES OF PIATTI AND ETUDES OF POPPER, Leah Hagel

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A NEW GEOMETRIC MODEL AND METHODOLOGY FOR UNDERSTANDING PARSIMONIOUS SEVENTH-SONORITY PITCH-CLASS SPACE, Enoch S. A. Jacobus

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STRATEGIES AND METHODS FOR IMPROVING SIGHT-READING, Ming-Hui Kuo

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CHRISTOPHER ROUSE: AN EXPLORATION OF THREE PERCUSSION STANDARDS, Brian T. Nozny

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RECREATIONAL MUSIC-MAKING IN MUSIC PEDAGOGY: A MANIFESTO FOR CHANGE, Brandon Keith Wood

Dissertations from 2011

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NATIONALISM AND ITS EXPRESSION IN CUBA’S ART MUSIC: THE USE OF FOLKLORE IN MARIO ABRIL’S “FANTASIA (INTRODUCTION AND PACHANGA)” FOR CLARINET AND PIANO, Nikolasa Tejero

Dissertations from 2010

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CHALLENGES OF TECHNIQUE AND INTERPRETATION IN THE PERCUSSION MUSIC OF FREDRIK ANDERSSON: A PERFORMER’S ANALYSIS, Kyle Manning Forsthoff

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“I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY, Kevin Donald Kehrberg

Dissertations from 2009

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MUSIC AND IDENTITY IN CIRCUIT CHAUTAUQUA: 1904-1932, Paige Clark Lush

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ADOLPHE NOURRIT, GILBERT-LOUIS DUPREZ, AND TRANSFORMATIONS OF TENOR TECHNIQUE IN THE EARLY NINETEENTH CENTURY: HISTORICAL AND PHYSIOLOGICAL CONSIDERATIONS, Jason Christopher Vest

Dissertations from 2008

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ALABAMA SUMMER: SUITE FOR ORCHESTRA WITH STRUCTURAL AND HARMONIC ANALYSIS, David Frank McKee

Dissertations from 2007

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FROM SONATA AND FANTASY TO SONATA-FANTASY: CHARTING A MUSICAL EVOLUTION, Mami Hayashida

Dissertations from 2004

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PIANO INSIDE OUT: THE EXPANSION OF THE EXPRESSIVE, TECHNICAL, AND SONOROUS SPECTRUM IN SELECTED TWENTIETH-CENTURY ART-MUSIC REPERTOIRE FOR THE MODERN ACOUSTIC PIANO, Mira Kruja

Dissertations from 2003

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THE EFFECT OF VISUAL ART ON MUSIC LISTENING, Jennifer Sue Shank

Theses from 2001

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THE DEVELOPMENT OF DUKE ELLINGTON'S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS, Eric S. Strother