Theses/Dissertations from 2017
THE CELLO WORKS OF ERNST VON DOHNÁNYI, William Joseph Meyer
Analyzing Songs Used for Lyric Analysis With Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software, Ashley M. Miller
WHY WE SING ALONG: MEASURABLE TRAITS OF SUCCESSFUL CONGREGATIONAL SONGS, Daniel Read
Music Therapists’ Self-Compassion, Compassion for Others, and Professional Quality of Life, Jamie E. Rushing
THE CADENZAS OF THE FIRST MODERN GUITAR CONCERTOS, Carlos Ricardo Saeb Valenzuela
Misbehaving Minuets: A Preliminary Theory of Humor and Dance Form in Haydn's Opp. 76 and 77, Jennifer L. Salamone
A HISTORY, ANALYSIS, AND PERFORMANCE GUIDE TO SAMUEL BARBER’S CANZONETTA FOR OBOE AND STRING ORCHESTRA, Angela C. Sallas
A POST-TONAL ANALYTICAL APPROACH TO SYNCHRONISMS NO. 10 FOR GUITAR AND TAPE BY MARIO DAVIDOVSKY, Andrew J. Serce
A STUDY OF ACCULTURATION IN CHINESE-MONGOLIAN ER’RENTAI FOLK OPERA, Luyin Shao
A Performer's Guide to Works for Trumpet and Synthesizer by Meg Bowles, Steven Siegel
EARL KIM 12 CAPRICES FOR SOLO VIOLIN: SURVEY OF HIS INNOVATIVE SOLO VIOLIN WRITING VIA HIS TWELVE LOVE LETTERS, Chi Young Song
THE FALL OF THE TENOR WITH THE RISE OF THE LARYNX, Gregory Turay
Theses/Dissertations from 2016
Practices and Perceptions of Music Therapists Using Songwriting Interventions with Clients Who Are Grieving, Erin Aubrey Batkiewicz
Childe Roland: String Quartet, Percussion and Electric Guitar, David Blevins
The Choral Composer/Conductor Collective: An Ongoing Experiment in Musical Self-Governance, Julian D. Bryson
UNDERSTANDING THE PERCUSSION WORKS OF ALEJANDRO VIÑAO: AN ANALYSIS AND PERFORMER’S GUIDE OF WATER FOR PERCUSSION ENSEMBLE, Christopher L. Butler
ATTITUDINAL DIFFERENCES OF CHORAL MUSIC TEACHERS IN REGARDS TO VOCAL CHANGE TYPE, Jill C. Campbell
Robert Nelson's A Room with a View: The Creation of a Contemporary Opera, Marcello Cormio
Meter, Phrase, and Form in the Compositions of Maria Schneider, Benjamin M. Geyer
SYMPHONY FOR WIND ORCHESTRA BY LUIS SERRANO ALARCÓN: BACKGROUND, ANALYSIS, AND CONDUCTOR’S GUIDE, Donald F. Goodwin
THE EFFECT OF IMPLIED PERFORMER AGE, IMPLIED PERFORMER GENDER, AND PERFORMANCE QUALITY LEVEL ON MUSIC MAJORS’ EVALUATIONS OF SOLO MUSICAL PERFORMANCES, Ann M. Harrington
THE ADJUDICATOR SPEAKS: A STUDY OF CHORAL FESTIVAL ADJUDICATORS’ PRACTICES, PROCEDURES AND PREFERENCES, David L. Hensley
Current Practices in Music Therapy with Bone Marrow and Organ Transplant Recipients, Heather Humphrey
A Performance Guide for Lyric Tenor: A Pedagogical Analysis of Ten Francesco Paolo Tosti Songs, Mark Aaron Kano
