Theses/Dissertations from 2017
SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS, André Campelo
HARVEST FESTIVAL BY YANN-JONG HWANG: A PIANO DUET INSPIRED BY TAIWANESE FOLK TUNES, Wei-Sian Chen
Synchrony of the Sublime: A Performer's Guide to Duke Ellington's Wordless Melodies for Soprano, Lisa M. Clark
Redefining the Performance Degree Curriculum for the Crossover Saxophonist, Ian M. Cruz
MARCH PERFORMANCE PRACTICES OF HENRY FILLMORE WITH STYLE GUIDES AND HISTORICAL EDITIONS OF SELECTED WORKS, James Robert Daughters
A CONDUCTOR’S ANALYSIS OF VELJO TORMIS’ LOODUSPILDID, John David Frizzell
Anders Åstrand: A Paragon of the Modern Musical Aesthetic, Matthew Geiger
THE SEARCH FOR CONSISTENT INTONATION: AN EXPLORATION AND GUIDE FOR VIOLONCELLISTS, Daniel Hoppe
WHEN UNEXPECTED BEAUTY BURNS LIKE SUNLIGHT ON THE SEA: SONGS OF WINTTER WATTS, COMPOSER AND SARA TEASDALE, POET, Casey A. Huggins
DUENDE: FOUR PRELUDES FOR SYMPHONIC WIND ENSEMBLE BY LUIS SERRANO ALARCÓN: CONDUCTOR’S GUIDE, SPANISH HISTORICAL BACKGROUND AND INFLUENCE, Kenneth Javier Iyescas
The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827, Todd R. Jones
THE CELLO WORKS OF ERNST VON DOHNÁNYI, William Joseph Meyer
Analyzing Songs Used for Lyric Analysis With Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software, Ashley M. Miller
WHY WE SING ALONG: MEASURABLE TRAITS OF SUCCESSFUL CONGREGATIONAL SONGS, Daniel Read
Music Therapists’ Self-Compassion, Compassion for Others, and Professional Quality of Life, Jamie E. Rushing
THE CADENZAS OF THE FIRST MODERN GUITAR CONCERTOS, Carlos Ricardo Saeb Valenzuela
Misbehaving Minuets: A Preliminary Theory of Humor and Dance Form in Haydn's Opp. 76 and 77, Jennifer L. Salamone
A HISTORY, ANALYSIS, AND PERFORMANCE GUIDE TO SAMUEL BARBER’S CANZONETTA FOR OBOE AND STRING ORCHESTRA, Angela C. Sallas
A POST-TONAL ANALYTICAL APPROACH TO SYNCHRONISMS NO. 10 FOR GUITAR AND TAPE BY MARIO DAVIDOVSKY, Andrew J. Serce
A STUDY OF ACCULTURATION IN CHINESE-MONGOLIAN ER’RENTAI FOLK OPERA, Luyin Shao
A Performer's Guide to Works for Trumpet and Synthesizer by Meg Bowles, Steven Siegel
EARL KIM 12 CAPRICES FOR SOLO VIOLIN: SURVEY OF HIS INNOVATIVE SOLO VIOLIN WRITING VIA HIS TWELVE LOVE LETTERS, Chi Young Song
THE FALL OF THE TENOR WITH THE RISE OF THE LARYNX, Gregory Turay
Theses/Dissertations from 2016
Practices and Perceptions of Music Therapists Using Songwriting Interventions with Clients Who Are Grieving, Erin Aubrey Batkiewicz