Theses/Dissertations from 2015
THE EFFECTS OF MUSIC THERAPY AND ITS IMPACT ON SOUND LEVELS IN THE NEONATAL INTENSIVE CARE UNIT, Sarah L. Timmons
The Scottish Pipe Band in North America: Tradition, Transformation, and Transnational Identity, Erin F. Walker
Theses/Dissertations from 2014
ITALIAN AND SPANISH INFLUENCE ON SELECTED WORKS OF MEXICAN COMPOSERS: MARÍA GREVER, IGNACIO FERNÁNDEZ ESPERÓN “TATA NACHO,” AND AGUSTÍN LARA, Manuel M. Castillo
RECONCILING BRUNDIBÁR: PRACTICAL CONSIDERATIONS FOR PRODUCING HANS KRÁSA’S CHILDREN’S OPERA, Daniel W. Chetel
BEVERLY, “MUSIC MISSES YOU”: A BIOGRAPHICAL AND PERFORMANCE GUIDE TO AMERICAN MEZZO-SOPRANO BEVERLY WOLFF’S CAREER AND HER SUBSEQUENT IMPACT ON AMERICAN OPERA AND ART SONG, Sarah C. Downs Trail
The Effects of a Cooperative Learning Environment on Preservice Elementary Teachers' Interest in and the Application of Music into Core Academic Subjects, John Okley Egger
The Role of Laryngeal Function in Breathing for Singing, Ellen V. Graham
A PERFORMANCE GUIDE TO GABRIEL FAURÉ’S LA CHANSON D’ÈVE, OP. 95, Sarah E. Klopfenstine-Wear
RE-THINKING PARIS AT THE FIN-DE-SIÈCLE: A NEW VISION OF PARISIAN MUSICAL CULTURE FROM THE PERSPECTIVE OF GABRIEL ASTRUC (1854-1938), Cesar A. Leal
ZILPHIA HORTON, A VOICE FOR CHANGE, Alicia R. Massie-Legg
A STUDY OF J.S. BACH’S SACRED AND SECULAR VOCAL WORKS INFLUENCED BY POPULAR STYLIZED DANCE OF THE FRENCH BAROQUE COURT: A PERFORMER’S GUIDE, Dione J. Napier
EDWARD ELGAR’S EXTENDED TONAL PROCEDURES—AN INQUIRY INTO ELGAR’S CHROMATIC REALM, Higo Henrique Rodrigues
THE ART SONG OF EDMUNDO VILLANI-CÔRTES: A PERFORMANCE GUIDE OF SELECTED WORKS, Irailda Eneli Barros Silva Rodrigues
AN EXAMINATION OF A CONDUCTOR’S PERFORMANCE PREPARATION OF THE MENDELSSOHN VIOLIN CONCERTO IN E MINOR, Robert J. Seebacher
A Performance Guide to Glenn Kotche's "Monkey Chant", Jonathan Sharp
Use of the Diagnostic and Statistical Manual-5 Among Current Music Therapy Students, Jasmine Simons
The Effect of Family Centered Music Therapy Sessions on Relaxation States of Informal Caregivers of Hospice and Palliative Care Patients, Adrienne Claire Steiner
Theses/Dissertations from 2013
“WE SANG ALLELUIA, PRAISE THE LORD!”: AFRICAN-AMERICAN IDENTITY AND THE USE AND RECEPTION OF MUSIC WITHIN A SEVENTH-DAY ADVENTIST CHURCH IN NEW YORK CITY, 1970 – 2010, Jeryl Lee Cunningham-Fleming
RECONSIDERING BRAZILIAN REPRESENTATIONS IN CHOROS No. 5 AND BACHIANAS BRASILEIRAS No.4 FOR PIANO BY HEITOR VILLA-LOBOS, Paula Maria Lima Galama
The 10,000-Hour Threshold: Interviews with Successful Percussionists, Colin J. Hill
The Silence: Overture and Two Scenes from an Opera in Two Acts, Eric Jurgens
CHINA’S MUSICAL REVOLUTION: FROM BEIJING OPERA TO YANGBANXI, Yawen Ludden
A CONDUCTOR’S GUIDE TO DAVID DEL TREDICI’S IN WARTIME, Joe David Moore
A Progressive Guide to Commercial Trumpet Playing, Eric R. Murine
