Theses/Dissertations from 2012
OPERA AND THE MODERN CULTURE OF FILM: THE GENESIS OF CINEMOPERA, ITS INTERTEXTUALITY AND EXPANSION OF OPERATIC SOURCE MATERIAL, Yuell "Chuck" E. Chandler IV
LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH VINGT ETUDES, Evan Benjamin Duke
A NEW GEOMETRIC MODEL AND METHODOLOGY FOR UNDERSTANDING PARSIMONIOUS SEVENTH-SONORITY PITCH-CLASS SPACE, Enoch S. A. Jacobus
STRATEGIES AND METHODS FOR IMPROVING SIGHT-READING, Ming-Hui Kuo
CHRISTOPHER ROUSE: AN EXPLORATION OF THREE PERCUSSION STANDARDS, Brian T. Nozny
RECREATIONAL MUSIC-MAKING IN MUSIC PEDAGOGY: A MANIFESTO FOR CHANGE, Brandon Keith Wood
Theses/Dissertations from 2011
SIX JAPANESE GARDENS AND TROIS RIVIÈRES: DELTA: AN ANALYSIS OF KAIJA SAARIAHO’S TWO MAJOR WORKS FOR SOLO PERCUSSION AND ELECTRONICS, Bradley Edward Meyer
NATIONALISM AND ITS EXPRESSION IN CUBA’S ART MUSIC: THE USE OF FOLKLORE IN MARIO ABRIL’S “FANTASIA (INTRODUCTION AND PACHANGA)” FOR CLARINET AND PIANO, Nikolasa Tejero
Dissertations from 2010
CHALLENGES OF TECHNIQUE AND INTERPRETATION IN THE PERCUSSION MUSIC OF FREDRIK ANDERSSON: A PERFORMER’S ANALYSIS, Kyle Manning Forsthoff
“I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY, Kevin Donald Kehrberg
Dissertations from 2009
MUSIC AND IDENTITY IN CIRCUIT CHAUTAUQUA: 1904-1932, Paige Clark Lush
ADOLPHE NOURRIT, GILBERT-LOUIS DUPREZ, AND TRANSFORMATIONS OF TENOR TECHNIQUE IN THE EARLY NINETEENTH CENTURY: HISTORICAL AND PHYSIOLOGICAL CONSIDERATIONS, Jason Christopher Vest
Dissertations from 2008
ALABAMA SUMMER: SUITE FOR ORCHESTRA WITH STRUCTURAL AND HARMONIC ANALYSIS, David Frank McKee
Dissertations from 2007
FROM SONATA AND FANTASY TO SONATA-FANTASY: CHARTING A MUSICAL EVOLUTION, Mami Hayashida
Dissertations from 2004
Dissertations from 2003
THE EFFECT OF VISUAL ART ON MUSIC LISTENING, Jennifer Sue Shank
Theses from 2001
THE DEVELOPMENT OF DUKE ELLINGTON'S COMPOSITIONAL STYLE: A COMPARATIVE ANALYSIS OF THREE SELECTED WORKS, Eric S. Strother
