Theses/Dissertations from 2013
RECONSIDERING BRAZILIAN REPRESENTATIONS IN CHOROS No. 5 AND BACHIANAS BRASILEIRAS No.4 FOR PIANO BY HEITOR VILLA-LOBOS, Paula Maria Lima Galama
The 10,000-Hour Threshold: Interviews with Successful Percussionists, Colin J. Hill
The Silence: Overture and Two Scenes from an Opera in Two Acts, Eric Jurgens
CHINA’S MUSICAL REVOLUTION: FROM BEIJING OPERA TO YANGBANXI, Yawen Ludden
A CONDUCTOR’S GUIDE TO DAVID DEL TREDICI’S IN WARTIME, Joe David Moore
A Progressive Guide to Commercial Trumpet Playing, Eric R. Murine
Little Eichmanns: A Composition for Chamber Octet, Benjamin D. Norton
Patterns in the Sacred Music Culture of the American South and West (1700-1820), Nikos A. Pappas
THE DESIGN OF P200: MENSURAL QUANTITY AND PROPORTION IN THE EARLY VERSION OF THE ART OF FUGUE, Joel Thomas Runyan
Unlocking the Paradox of Christian Metal Music, Eric S. Strother
WHAT KEEPS US WELL? PROFESSIONAL QUALITY OF LIFE AND CAREER SUSTAINING BEHAVIORS OF MUSIC THERAPY PROFESSIONALS, Shane C. Swezey
Theses/Dissertations from 2012
THE EFFECT OF MINDFUL LISTENING INSTRUCTION ON LISTENING SENSITIVITY AND ENJOYMENT, William Todd Anderson
April: A Song Cycle for Low Voice and Chamber Orchestra, Daniel Arnold
Elegies for Cello and Piano by Bridge, Britten and Delius: A Study of Traditions and Influences, Sara Gardner Birnbaum
OPERA AND THE MODERN CULTURE OF FILM: THE GENESIS OF CINEMOPERA, ITS INTERTEXTUALITY AND EXPANSION OF OPERATIC SOURCE MATERIAL, Yuell "Chuck" E. Chandler IV
LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH VINGT ETUDES, Evan Benjamin Duke
A NEW GEOMETRIC MODEL AND METHODOLOGY FOR UNDERSTANDING PARSIMONIOUS SEVENTH-SONORITY PITCH-CLASS SPACE, Enoch S. A. Jacobus
STRATEGIES AND METHODS FOR IMPROVING SIGHT-READING, Ming-Hui Kuo
CHRISTOPHER ROUSE: AN EXPLORATION OF THREE PERCUSSION STANDARDS, Brian T. Nozny
RECREATIONAL MUSIC-MAKING IN MUSIC PEDAGOGY: A MANIFESTO FOR CHANGE, Brandon Keith Wood
Theses/Dissertations from 2011
SIX JAPANESE GARDENS AND TROIS RIVIÈRES: DELTA: AN ANALYSIS OF KAIJA SAARIAHO’S TWO MAJOR WORKS FOR SOLO PERCUSSION AND ELECTRONICS, Bradley Edward Meyer
NATIONALISM AND ITS EXPRESSION IN CUBA’S ART MUSIC: THE USE OF FOLKLORE IN MARIO ABRIL’S “FANTASIA (INTRODUCTION AND PACHANGA)” FOR CLARINET AND PIANO, Nikolasa Tejero
Dissertations from 2010
CHALLENGES OF TECHNIQUE AND INTERPRETATION IN THE PERCUSSION MUSIC OF FREDRIK ANDERSSON: A PERFORMER’S ANALYSIS, Kyle Manning Forsthoff
“I’LL FLY AWAY”: THE MUSIC AND CAREER OF ALBERT E. BRUMLEY, Kevin Donald Kehrberg
