Theses/Dissertations from 2026
THE ESSENCE OF THE HEART: LAYERED HUMAN EXPERIENCE IN EVA JESSYE’S MY SPIRITUALS, Jessica Brunet
CONTEMPORARY COMMERCIAL MUSIC: A SCOPING REVIEW WITH IMPLICATIONS FOR MUSIC THERAPY PRACTICE, John A. Lawwill
MUSIC-BASED STORYTELLING FOR OLDER ADULT WELL-BEING: AN ADAPTED MULTIPLE CASE STUDY, Zachary Michael Palma
Structuring the Musical Year: Dance, Topic, and Semiosis in Eighteenth-Century Calendar Music, Braden Shaw
Theses/Dissertations from 2025
Miguel Zenón's Solo on Olas y Arenas and his Approach to Improvisation, David Alonso-Otero
DISCOVERING MY SONIC IDENTITY THROUGH INTENT AND SELF-BELIEF: A PORTFOLIO OF COMPOSITIONS, Addison J. Bird
DESIGNING AN UNDERGRADUATE OPERA WORKSHOP CURRICULUM FOR UNIVERSITIES, Christopher L. Burchett
A Twenty-First Century Approach to Darius Milhaud's Saudades do Brasil, Paige H. Crain
PAUL BOWLES’ BLUE MOUNTAIN BALLADS FOR WIND OCTET AND SOLO VOICE: A TRANSCRIPTION OF A SONG CYCLE USING THE INSTRUMENTATION OF STRAVINSKY’S OCTET , Cleveland P. Forrester
JAMES M. DAVID’S GHOSTS OF THE OLD YEAR: A FORMAL ANALYSIS AND INSTRUCTIONAL GUIDE, Brian P. Froedge Dr.
MIND THE GAP: SUPPORTING FRESHMEN VOICE STUDENTS TRANSITIONING TO HIGHER EDUCATION THROUGH COACHING CONVERSATIONS, Erica L. Gabriel
Secondary String Students’ Perceptions of the Role of Self-Efficacy in Mitigating Their Musical Performance Anxiety: A Collective Case Study, Mary E. Henton
Performance Guide to Select Twentieth-Century French Organ Works Based on Te Deum, Margaret Maria LeRose
TEACHER PERCEPTIONS OF A MINDFUL-BASED SOCIAL EMOTIONAL GROUP DRUMMING CURRICULUM: A COLLECTIVE CASE STUDY, Kristin Lewis
LUIS SERRANO ALARCÓN’S SECOND SYMPHONY FOR WIND ORCHESTRA BACKGROUND, ANALYSIS, AND CONDUCTOR’S GUIDE, Adam P. Miller
A PERFORMANCE PRACITCE GUIDE TO SELECTED CORNET/TRUMPET EXCERPTS FROM WIND BAND MARCHES, Adiel P. Najera
A Comparison of Informal Choral Singing Experiences, Christopher Powell
A Pedagogical Survey of Solo Multiple Percussion Literature, Austin Shoupe
TREATING SOCIAL MEDIA ADDICTION IN ADOLESCENTS: A SCOPING REVIEW WITH IMPLICATIONS FOR MUSIC THERAPY PRACTICE, Roman D. Swain
Schubert Lieder for Solo Piano: From Liszt Transcriptions to an Original Adaptation, Changpeng Ti
PROFESSIONAL EXPERIENCES OF DISABLED MUSIC THERAPISTS: AN ADAPTED MULTIPLE CASE STUDY, August Lily Tuggle
ANATOMICAL LITERACY AND BODY MAPPING IN FLUTE PERFORMANCE: STRATEGIES FOR ADDRESSING AND PREVENTING UPPER EXTREMITY INJURIES, Lauren E. Wiedemer
Hardcore and Metal Music in Music Therapy: A Functional Guide for Music Therapists and Music Therapy Students, Caroline NC Wood
MINORITY IN BAROQUE TRUMPET REPERTOIRE: MINOR-KEY LITERATURE FOR BAROQUE TRUMPET, Wing Heng Victor Yuen
EXAMPLES OF STORYTELLING IN TAN DUN’S THE BANQUET PIANO SONATA, Ni Zhan
