Theses/Dissertations from 2018
MAX NEUHAUS, R. MURRAY SCHAFER, AND THE CHALLENGES OF NOISE, Megan Elizabeth Murph
AN ANALYSIS AND PERFORMANCE GUIDE OF STEVE REICH’S MALLET QUARTET, Francisco S. Perez
GUITAR ARRANGEMENTS OF SELECTED DANZAS OF JUAN F. ACOSTA, WITH NEW CONSIDERATIONS OF HIS MUSIC AND MUSICAL LIFE, Hermelindo Ruiz Mestre
A CRITICAL AND PERFORMANCE EDITION OF AGUSTIN BARRIOS’S CUECA: COMPARATIVE ANALYSIS OF FORM, NOTATION, AND PERFORMANCE PRACTICE OF BARRIOS’S WORK TO TRADITIONAL CHILEAN CUECAS FROM THE BEGINNING OF THE TWENTIETH-CENTURY, Enrique Sandoval-Cisternas
UNDERGRADUATE MUSIC THEORY TERMINOLOGY USED BY SELECTED SPANISH-SPEAKING INSTRUCTORS IN CHILE: DEVELOPMENT, SIMILARITIES, AND LIMITATIONS, Enrique Sandoval-Cisternas
EVALUATING APPROPRIATE REPERTOIRE FOR DEVELOPING SINGERS: AN AFRICAN-AMERICAN ART SONG ANTHOLOGY, Nicole Michelle Sonbert
MUSIC THERAPISTS’ PERCEPTIONS AND PRACTICES REGARDING MUSICAL AUTHENTICITY IN MUSIC THERAPY PRACTICE, Nora Bryant Veblen
“INSTANTS D’UN OPERA DE PEKIN” FOR SOLO PIANO BY QIGANG CHEN, Mengying Wan
MUSIC IN THE MIDST OF DESOLATION: A CONDUCTOR’S ANALYSIS OF CYRIL BRADLEY ROOTHAM’S FOR THE FALLEN, OPUS 51, Cameron Lee Weatherford
THE LANGUAGE OF MUSIC: LINGUISTICS IN TRUMPET PEDAGOGY, Marisa B. Youngs
Theses/Dissertations from 2017
THE FIRST THREE GUITAR SONATAS OF DAVID DEL PUERTO, Jeremy Andrew Bass
THE WIND MUSIC OF STEVE DANYEW: A DISCUSSION AND ANALYSIS OF THREE SIGNIFICANT WIND COMPOSITIONS, Michael C. Black
SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS, André Campelo
HARVEST FESTIVAL BY YANN-JONG HWANG: A PIANO DUET INSPIRED BY TAIWANESE FOLK TUNES, Wei-Sian Chen
Synchrony of the Sublime: A Performer's Guide to Duke Ellington's Wordless Melodies for Soprano, Lisa M. Clark
Redefining the Performance Degree Curriculum for the Crossover Saxophonist, Ian M. Cruz
MARCH PERFORMANCE PRACTICES OF HENRY FILLMORE WITH STYLE GUIDES AND HISTORICAL EDITIONS OF SELECTED WORKS, James Robert Daughters
A CONDUCTOR’S ANALYSIS OF VELJO TORMIS’ LOODUSPILDID, John David Frizzell
Anders Åstrand: A Paragon of the Modern Musical Aesthetic, Matthew Geiger
THE SEARCH FOR CONSISTENT INTONATION: AN EXPLORATION AND GUIDE FOR VIOLONCELLISTS, Daniel Hoppe
WHEN UNEXPECTED BEAUTY BURNS LIKE SUNLIGHT ON THE SEA: SONGS OF WINTTER WATTS, COMPOSER AND SARA TEASDALE, POET, Casey A. Huggins
DUENDE: FOUR PRELUDES FOR SYMPHONIC WIND ENSEMBLE BY LUIS SERRANO ALARCÓN: CONDUCTOR’S GUIDE, SPANISH HISTORICAL BACKGROUND AND INFLUENCE, Kenneth Javier Iyescas
The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827, Todd R. Jones
