Theses/Dissertations from 2018
A PERFORMANCE GUIDE: AN ANALYSIS OF RICHARD FAITH’S SETTINGS OF MOTHER GOOSE, David B. Baker
THE NILES-MERTON SONGS: A PERFORMANCE GUIDE OF SELECTED SONGS, Brittany C. Benningfield
A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT, Eric Charles Brown
MUSIC THERAPY AND MULTICULTURAL COMPETENCE: A SURVEY OF MUSIC THERAPISTS' TRAINING AND PERCEPTIONS, Laura Kay Cahoon
PAUL DOOLEY’S MASKS AND MACHINES: A FORMAL ANALYSIS AND INSTRUCTIONAL GUIDE, Kevin M. Callihan
MUSIC THERAPISTS’ USE OF VISUAL SUPPORTS FOR INDIVIDUALS WITH AUTISM SPECTRUM DISORDER, Taylor Ruthann Chapman
THE EFFECT OF A SINGLE-SESSION GROUP SONGWRITING INTERVENTION ON GRIEF PROCESSING IN HOSPICE CLINICIANS, Melissa Deaton
PEOPLE EXPERIENCING HOMELESSNESS WITHIN MUSIC THERAPY SETTINGS: A DESCRIPTIVE STUDY, Amelia E. Ehmling
MUSIC THERAPISTS’ EXPERIENCES WITH CLIENTS WITH AUTISM SPECTRUM DISORDER WHO USE AUGMENTATIVE AND ALTERNATIVE COMMUNICATION, Sara Elizabeth Finnie
TYLER KLINE’S RENDER: A FORMAL ANALYSIS AND PERFORMANCE GUIDE, John Douglas Handshoe
APPLIED TEMPERAMENT, Geoffrey D. Hershberger
FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III, Jeffrey Daniel Jones
THE EFFECT OF GROUP MUSIC THERAPY ON PATIENT SATISFACTION IN A BEHAVIORAL HEALTH SETTING, Madelyn L. LaPrade
A CHORAL CONDUCTOR’S APPROACH TO CHRISTOPHER THEOFANIDIS’S THE HERE AND NOW, Regan Arlene MacNay
AN ANALYSIS AND CONDUCTOR’S GUIDE TO ZDENĚK LUKÁŠ’ REQUIEM PER CORO MISTO, OP. 252, Samuel James Miller
FIFTHS: AN APPROACH TO VIOLIN TECHNIQUE FOR THE LEFT HAND AS TAUGHT BY RODNEY FRIEND, Jessica Miskelly
MAX NEUHAUS, R. MURRAY SCHAFER, AND THE CHALLENGES OF NOISE, Megan Elizabeth Murph
AN ANALYSIS AND PERFORMANCE GUIDE OF STEVE REICH’S MALLET QUARTET, Francisco S. Perez
GUITAR ARRANGEMENTS OF SELECTED DANZAS OF JUAN F. ACOSTA, WITH NEW CONSIDERATIONS OF HIS MUSIC AND MUSICAL LIFE, Hermelindo Ruiz Mestre
A CRITICAL AND PERFORMANCE EDITION OF AGUSTIN BARRIOS’S CUECA: COMPARATIVE ANALYSIS OF FORM, NOTATION, AND PERFORMANCE PRACTICE OF BARRIOS’S WORK TO TRADITIONAL CHILEAN CUECAS FROM THE BEGINNING OF THE TWENTIETH-CENTURY, Enrique Sandoval-Cisternas
UNDERGRADUATE MUSIC THEORY TERMINOLOGY USED BY SELECTED SPANISH-SPEAKING INSTRUCTORS IN CHILE: DEVELOPMENT, SIMILARITIES, AND LIMITATIONS, Enrique Sandoval-Cisternas
EVALUATING APPROPRIATE REPERTOIRE FOR DEVELOPING SINGERS: AN AFRICAN-AMERICAN ART SONG ANTHOLOGY, Nicole Michelle Sonbert
