Theses/Dissertations from 2020
A PERFORMER’S GUIDE TO NORMAN BOLTER’S MORNING WALK FOR TROMBONE AND PIANO, Justin Croushore
PASSACAGLIA AND ITS RELATED FORMS: BEFORE, DURING, AND AFTER 18TH CENTURY BAROQUE AND PROGRAM NOTES, Austin Han
THE TAIWANESE VIOLIN SYSTEM: EDUCATING BEGINNERS TO PROFESSIONALS, Yu-Ting Huang
Compositional Modeling: A Classical Imitative Pedagogy for the Modern Era, Robert Harris Jeter
AN EXPLORATION OF SMETANA’S Z DOMOVINY (FROM MY HOMELAND), TWO PIECES FOR VIOLIN AND PIANO, JB 1:118, Yeseul Kim
AN UNDERSTANDING OF STYLE OF BAROQUE ORNAMENTATION IN HANDEL’S OPERATIC ARIAS: A STUDY OF SELECTED RECORDINGS (1950s – 2010s), Junghyun Lee
SONG TEACHING AND SINGING ACCURACY OF THIRD GRADE ELEMENTARY MUSIC STUDENTS: AN INVESTIGATION USING MULTILEVEL MODELING, Kateri Miller
INSIDE OUTSIDE: THE CULTURAL PARADOX OF SALVATION ARMY BRASS BANDS IN AMERICA DURING THE AGE OF NATIONALISM, Nathan Miller
Two Analytical Essays, Abigail Rueger
A Multiple Case Study of Music Therapists' Perceptions of Vocal Health, Emily Rush
A Performance Analysis of Cloud Folk for Percussion Octet and Piano by John Psathas, James Vilseck
Training Music Therapists and Music Therapy Students to Provide Trauma-Informed Care: Training Development and Pilot Feasibility Study, McKenna B. Wilson
Theses/Dissertations from 2019
PARTITA FOR 8 VOICES & WIND ENSEMBLE: A TRANSCRIPTION PROCESS, Kaitlin May Bove
A Performance Guide to Arthur Bliss's Sonata for Viola and Piano, Andrew Braddock
POSTMINIMALIST CHORAL MUSIC: A PEDAGOGICAL PERSPECTIVE, Joshua John Chai
Fanny Hensel's Das Jahr: Emergent Meaning at the Intersection of Textual, Visual, and Aural Modalities, Lindsay Gray Clavere
A MUSICAL-HISTORICAL STUDY OF ITALIAN INFLUENCES IN THREE REGINA CAELI OF THE FRENCH BAROQUE PERIOD, Marie-France Duclos
LOST & FOUND AN ELECTRO-ACOUSTIC MUSICAL COMPOSITION REFERENCING A DAY IN AN AFRICAN VILLAGE: A COMMENTARY ON A MUSICAL COMPOSITION, George Essilfie
FINDING THE “TECH” IN TECHNIQUE: A PEDAGOGICAL APPROACH TO ELECTROACOUSTIC CONCERT PERCUSSION PERFORMANCE PRACTICE, William Brady Harrison II
A STUDY OF UNEMPLOYMENT AND UNDEREMPLOYMENT IN CLINICAL MUSIC THERAPY, Christopher A. Kelley
THE EFFECTIVENESS OF MUSIC THERAPY INTERVENTIONS WITH PERSONS OF CONCERN: AN INTEGRATIVE REVIEW, Grace Lauzon
A SINGER’S STRESS: YOGA AND MEDITATION TECHNIQUES IN THE COLLEGIATE VOICE STUDIO, Zackery David Morris
THEORETICAL STUDY AND PERFORMING EDITION OF SONATA III BY JAVIER G. COMPEÁN, José Mario Ortiz Sánchez
MORTEN LAURIDSEN’S CHORAL CYCLE, NOCTURNES: A CONDUCTOR’S ANALYSIS, Margaret B. Owens
