Theses/Dissertations from 2022
Revising the Orchestral Reduction of Jacques Ibert's Concerto for Flute and Orchestra, Nathan Stites
JOCELYN HAGEN’S CHORAL SETTINGS ON TEXTS BY SARA TEASDALE: ANALYSIS AND REHEARSAL AND PERFORMANCE GUIDELINES, Elizabeth Wilson
Siren Song: Examining the Lorelei Topos in Nineteenth-Century German Art Song and Its Manifestation and Transformation in Popular Song, Elizabeth Woodall
Theses/Dissertations from 2021
Perspectives on Cultivating a Positive Collegiate Clarinet Studio Environment: A Survey of Students and Professors, Katherine Nichole Breeden
PERCEPTIONS OF RURAL MIDDLE SCHOOL BAND DIRECTORS REGARDING STUDENT RECRUITMENT STRATEGIES: AN INSTRUMENTAL MULTIPLE CASE STUDY, Kaitlin Callihan
JOHN WESLEY WORK III: ARRANGER, PRESERVER, AND HISTORIAN OF AFRICAN AMERICAN TRADITIONAL MUSIC, Kaylina Madison Crawley
The G7 Suite: Score and Analysis, Joseph C. Dunn
ORCHESTRAL EXCERPTS FOR TROMBONE FROM VILLA-LOBOS’S “CHÔROS”– PERFORMANCE CONSIDERATIONS AND COLLECTED EDITION, Hugo Eustáquio de Faria Pinheiro Sr.
Fluid Dynamics: Representations of Water in Music, James E. Evans
SHINING A SPOTLIGHT ON FEMALE AFRICAN AMERICAN COMPOSER EVELYN SIMPSON-CURENTON, Iris E. Fordjour-Hankins
THE CLARINET AND PIANO WORKS OF ERNST MAHLE: A COLLABORATIVE PIANIST’S PERSPECTIVE, Edgar Augusto Gonsales
SONGS FOR HIGH VOICE: AN ANNOTATED GUIDE TO AFRICAN ROMANCES, OP. 17 BY SAMUEL COLERIDGE-TAYLOR, Makeda Danielle Hampton
MICHAEL DAUGHERTY’S BELLS FOR STOKOWSKI: HISTORICAL CONTEXT & COMPARATIVE ANALYSIS FOR ORCHESTRA AND WIND BAND, Jeremy Harmon
Beyond the Notation: Developing Tools to Guide Artistic Decisions of Performers in the Wind Ensemble, Brent Johnson
An Analysis of Kingdom of the Heart's Content, Op. 11 by Joseph Baber, Sanghee Kim
Symphony No. 3 for Chamber Orchestra, Derrik Nelson
A MUSICAL ANALYSIS OF WILLIAM GRANT STILL'S SONGS OF SEPARATION: THE CHAMBER ARRANGEMENT, Michael Preacely
CIRCUITION: CONCERTO FOR JAZZ GUITAR AND ORCHESTRA, Richard Alan Robinson
CHIMURENGA CHEPFUNGWA: A LIBERATED CULTURAL CURRICULUM FOR THE MADZIMBABWE SINGER, Tanyaradzwa Tawengwa
A Study of Language and Its Uses In Flute Performance and Pedagogy, Sarah Tuley
A PILOT STUDY EVALUATING A TRAINING FOR MUSIC THERAPY STUDENTS ON CONSIDERATIONS FOR LGBTQ CLIENTS, Cecilia Blair Wright
CROUCHING TIGER CELLO CONCERTO - A MELDING OF FORM AND CONTENT FOR THE CONCERT STAGE, Xiaohang Yu
A New Model of Interpreting Modified Strophic Design: Brahms’s Late Viennese Solo Lieder, Yung-Ching Yu
A GLIMPSE INTO CHINESE PIANO EDUCATION AND PERFORMANCE THROUGH AN INFLUENTIAL PROFESSOR, Xin Zhang
