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Theses/Dissertations from 2017

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Music Therapists’ Self-Compassion, Compassion for Others, and Professional Quality of Life, Jamie E. Rushing

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THE CADENZAS OF THE FIRST MODERN GUITAR CONCERTOS, Carlos Ricardo Saeb Valenzuela

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Misbehaving Minuets: A Preliminary Theory of Humor and Dance Form in Haydn's Opp. 76 and 77, Jennifer L. Salamone

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A HISTORY, ANALYSIS, AND PERFORMANCE GUIDE TO SAMUEL BARBER’S CANZONETTA FOR OBOE AND STRING ORCHESTRA, Angela C. Sallas

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A POST-TONAL ANALYTICAL APPROACH TO SYNCHRONISMS NO. 10 FOR GUITAR AND TAPE BY MARIO DAVIDOVSKY, Andrew J. Serce

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A STUDY OF ACCULTURATION IN CHINESE-MONGOLIAN ER’RENTAI FOLK OPERA, Luyin Shao

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A Performer's Guide to Works for Trumpet and Synthesizer by Meg Bowles, Steven Siegel

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EARL KIM 12 CAPRICES FOR SOLO VIOLIN: SURVEY OF HIS INNOVATIVE SOLO VIOLIN WRITING VIA HIS TWELVE LOVE LETTERS, Chi Young Song

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THE FALL OF THE TENOR WITH THE RISE OF THE LARYNX, Gregory Turay

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A SELECT SURVEY OF CHORAL ARRANGEMENTS BASED ON THE SONGS OF STEPHEN FOSTER TRACING DEVELOPMENTS IN MUSIC AND TEXTUAL CHANGES THROUGH THE TWENTIETH AND TWENTY-FIRST CENTURIES, Perry K. Ward

Theses/Dissertations from 2016

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Practices and Perceptions of Music Therapists Using Songwriting Interventions with Clients Who Are Grieving, Erin Aubrey Batkiewicz

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Childe Roland: String Quartet, Percussion and Electric Guitar, David Blevins

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The Choral Composer/Conductor Collective: An Ongoing Experiment in Musical Self-Governance, Julian D. Bryson

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UNDERSTANDING THE PERCUSSION WORKS OF ALEJANDRO VIÑAO: AN ANALYSIS AND PERFORMER’S GUIDE OF WATER FOR PERCUSSION ENSEMBLE, Christopher L. Butler

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ATTITUDINAL DIFFERENCES OF CHORAL MUSIC TEACHERS IN REGARDS TO VOCAL CHANGE TYPE, Jill C. Campbell

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Robert Nelson's A Room with a View: The Creation of a Contemporary Opera, Marcello Cormio

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Meter, Phrase, and Form in the Compositions of Maria Schneider, Benjamin M. Geyer

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SYMPHONY FOR WIND ORCHESTRA BY LUIS SERRANO ALARCÓN: BACKGROUND, ANALYSIS, AND CONDUCTOR’S GUIDE, Donald F. Goodwin

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THE EFFECT OF IMPLIED PERFORMER AGE, IMPLIED PERFORMER GENDER, AND PERFORMANCE QUALITY LEVEL ON MUSIC MAJORS’ EVALUATIONS OF SOLO MUSICAL PERFORMANCES, Ann M. Harrington

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THE ADJUDICATOR SPEAKS: A STUDY OF CHORAL FESTIVAL ADJUDICATORS’ PRACTICES, PROCEDURES AND PREFERENCES, David L. Hensley

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Current Practices in Music Therapy with Bone Marrow and Organ Transplant Recipients, Heather Humphrey

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A Performance Guide for Lyric Tenor: A Pedagogical Analysis of Ten Francesco Paolo Tosti Songs, Mark Aaron Kano

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Comparing Textbooks from Entry-Level Courses in Music Therapy and Related Health Professions, Alexandria Langella

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Beyond England's "Green and Pleasant Land": English Romantics Outside the Musical Renaissance, Christopher Little

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Music as Narrative in American College Football, John M. McCluskey