Theses/Dissertations from 2021
An Analysis of Kingdom of the Heart's Content, Op. 11 by Joseph Baber, Sanghee Kim
Symphony No. 3 for Chamber Orchestra, Derrik Nelson
A MUSICAL ANALYSIS OF WILLIAM GRANT STILL'S SONGS OF SEPARATION: THE CHAMBER ARRANGEMENT, Michael Preacely
CIRCUITION: CONCERTO FOR JAZZ GUITAR AND ORCHESTRA, Richard Alan Robinson
CHIMURENGA CHEPFUNGWA: A LIBERATED CULTURAL CURRICULUM FOR THE MADZIMBABWE SINGER, Tanyaradzwa Tawengwa
A Study of Language and Its Uses In Flute Performance and Pedagogy, Sarah Tuley
A PILOT STUDY EVALUATING A TRAINING FOR MUSIC THERAPY STUDENTS ON CONSIDERATIONS FOR LGBTQ CLIENTS, Cecilia Blair Wright
CROUCHING TIGER CELLO CONCERTO - A MELDING OF FORM AND CONTENT FOR THE CONCERT STAGE, Xiaohang Yu
A New Model of Interpreting Modified Strophic Design: Brahms’s Late Viennese Solo Lieder, Yung-Ching Yu
A GLIMPSE INTO CHINESE PIANO EDUCATION AND PERFORMANCE THROUGH AN INFLUENTIAL PROFESSOR, Xin Zhang
Theses/Dissertations from 2020
Zappa’s Remembrance of a Forgotten Style: The Relationship Between Frank Zappa and Doo-Wop as Illustrated in Cruising with Ruben & The Jets, Benjamin Adamo
ICTUS OR REBOUND? THE EXPERIENCE OF BEHIND-THE-BEAT PLAYING IN ORCHESTRAL CONDUCTING, Sey Ahn
Songs in the Heart: The Cornet Solos Written for Derek Smith, Jeffrey Barrington
STEVEN BRYANT’S THE AUTOMATIC EARTH: A CONDUCTOR’S ANALYSIS AND PERFORMANCE PERSPECTIVES, Corey S. Bonds
ENGAGING THE ECLECTIC BULGARIAN SOUL IN VIOLA CONCERTO NO. 1 BY MARIN GOLEMINOV (1908-2000): A FACETED ANALYSIS WITH NEW PEDAGOGICAL STUDIES, Lubitza Braikova
The Vespers Psalms of Baldassare Galuppi, Scot Buzza
A PERFORMER’S GUIDE TO NORMAN BOLTER’S MORNING WALK FOR TROMBONE AND PIANO, Justin Croushore
PASSACAGLIA AND ITS RELATED FORMS: BEFORE, DURING, AND AFTER 18TH CENTURY BAROQUE AND PROGRAM NOTES, Austin Han
THE TAIWANESE VIOLIN SYSTEM: EDUCATING BEGINNERS TO PROFESSIONALS, Yu-Ting Huang
Compositional Modeling: A Classical Imitative Pedagogy for the Modern Era, Robert Harris Jeter
AN EXPLORATION OF SMETANA’S Z DOMOVINY (FROM MY HOMELAND), TWO PIECES FOR VIOLIN AND PIANO, JB 1:118, Yeseul Kim
AN UNDERSTANDING OF STYLE OF BAROQUE ORNAMENTATION IN HANDEL’S OPERATIC ARIAS: A STUDY OF SELECTED RECORDINGS (1950s – 2010s), Junghyun Lee
SONG TEACHING AND SINGING ACCURACY OF THIRD GRADE ELEMENTARY MUSIC STUDENTS: AN INVESTIGATION USING MULTILEVEL MODELING, Kateri Miller
INSIDE OUTSIDE: THE CULTURAL PARADOX OF SALVATION ARMY BRASS BANDS IN AMERICA DURING THE AGE OF NATIONALISM, Nathan Miller
