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Theses/Dissertations from 2018

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THE TREATMENT OF KOREAN TRADITIONAL MUSICAL ELEMENTS IN WESTERN MUSICAL COMPOSITION: A BRIEF ANALYSIS OF FOLKSONG REVISITED FOR SOLO PIANO BY JEAN AHN, SongHwa Chae

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MUSIC THERAPISTS’ USE OF VISUAL SUPPORTS FOR INDIVIDUALS WITH AUTISM SPECTRUM DISORDER, Taylor Ruthann Chapman

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THE EFFECT OF A SINGLE-SESSION GROUP SONGWRITING INTERVENTION ON GRIEF PROCESSING IN HOSPICE CLINICIANS, Melissa Deaton

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PEOPLE EXPERIENCING HOMELESSNESS WITHIN MUSIC THERAPY SETTINGS: A DESCRIPTIVE STUDY, Amelia E. Ehmling

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MUSIC THERAPISTS’ EXPERIENCES WITH CLIENTS WITH AUTISM SPECTRUM DISORDER WHO USE AUGMENTATIVE AND ALTERNATIVE COMMUNICATION, Sara Elizabeth Finnie

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TYLER KLINE’S RENDER: A FORMAL ANALYSIS AND PERFORMANCE GUIDE, John Douglas Handshoe

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APPLIED TEMPERAMENT, Geoffrey D. Hershberger

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FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III, Jeffrey Daniel Jones

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THE EFFECT OF GROUP MUSIC THERAPY ON PATIENT SATISFACTION IN A BEHAVIORAL HEALTH SETTING, Madelyn L. LaPrade

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A CHORAL CONDUCTOR’S APPROACH TO CHRISTOPHER THEOFANIDIS’S THE HERE AND NOW, Regan Arlene MacNay

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AN ANALYSIS AND CONDUCTOR’S GUIDE TO ZDENĚK LUKÁŠ’ REQUIEM PER CORO MISTO, OP. 252, Samuel James Miller

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FIFTHS: AN APPROACH TO VIOLIN TECHNIQUE FOR THE LEFT HAND AS TAUGHT BY RODNEY FRIEND, Jessica Miskelly

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MAX NEUHAUS, R. MURRAY SCHAFER, AND THE CHALLENGES OF NOISE, Megan Elizabeth Murph

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AN ANALYSIS AND PERFORMANCE GUIDE OF STEVE REICH’S MALLET QUARTET, Francisco S. Perez

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GUITAR ARRANGEMENTS OF SELECTED DANZAS OF JUAN F. ACOSTA, WITH NEW CONSIDERATIONS OF HIS MUSIC AND MUSICAL LIFE, Hermelindo Ruiz Mestre

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A CRITICAL AND PERFORMANCE EDITION OF AGUSTIN BARRIOS’S CUECA: COMPARATIVE ANALYSIS OF FORM, NOTATION, AND PERFORMANCE PRACTICE OF BARRIOS’S WORK TO TRADITIONAL CHILEAN CUECAS FROM THE BEGINNING OF THE TWENTIETH-CENTURY, Enrique Sandoval-Cisternas

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UNDERGRADUATE MUSIC THEORY TERMINOLOGY USED BY SELECTED SPANISH-SPEAKING INSTRUCTORS IN CHILE: DEVELOPMENT, SIMILARITIES, AND LIMITATIONS, Enrique Sandoval-Cisternas

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EVALUATING APPROPRIATE REPERTOIRE FOR DEVELOPING SINGERS: AN AFRICAN-AMERICAN ART SONG ANTHOLOGY, Nicole Michelle Sonbert

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PARTNERSHIPS AND CREATION: A BRIEF HISTORY OF CLARINETIST-COMPOSER PARTNERSHIPS AND HOW THEY CONTRIBUTED TO CLARINET LITERATURE, AND THE INFLUENCE OF ROBERT SPRING ON CONTEMPORARY COMPOSITIONAL OUTPUT FOR THE CLARINET, Adria Leigh Sutherland

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A STUDY OF THE VARYING INTERPRETATIONS OF THE OPENING FLUTE SOLO IN DEBUSSY’S PRELUDE A L’APRES-MIDI D’UN FAUNE THROUGH 90 YEARS OF SOUND RECORDINGS; WITH SPECIAL CONSIDERATION FOR THE PERFORMANCES AND PEDAGOGY OF WILLIAM KINCAID, Virginia W. Tutton

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MUSIC THERAPISTS’ PERCEPTIONS AND PRACTICES REGARDING MUSICAL AUTHENTICITY IN MUSIC THERAPY PRACTICE, Nora Bryant Veblen

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“INSTANTS D’UN OPERA DE PEKIN” FOR SOLO PIANO BY QIGANG CHEN, Mengying Wan

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MUSIC IN THE MIDST OF DESOLATION: A CONDUCTOR’S ANALYSIS OF CYRIL BRADLEY ROOTHAM’S FOR THE FALLEN, OPUS 51, Cameron Lee Weatherford

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THE LANGUAGE OF MUSIC: LINGUISTICS IN TRUMPET PEDAGOGY, Marisa B. Youngs

Theses/Dissertations from 2017

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THE FIRST THREE GUITAR SONATAS OF DAVID DEL PUERTO, Jeremy Andrew Bass