Author ORCID Identifier

https://orcid.org/0009-0004-5284-4501

Date Available

4-28-2023

Year of Publication

2023

Degree Name

Doctor of Musical Arts (DMA)

Document Type

Doctoral Dissertation

College

Fine Arts

Department/School/Program

Music Performance

First Advisor

Professor Bradley Kerns

Second Advisor

Dr. Jacob Coleman

Abstract

Gerald Finzi is a twentieth-century British composer. Though he also composed for orchestra and chamber ensembles, he is primarily known as a composer of vocal works, both solo and choral. In this solo vocal works, he favored the poetry of Thomas Hardy; six of his nine song cycles set Hardy’s poetry. One of these, A Young Man’s Exhortation, was Finzi’s second song cycle for voice and piano, but the first to earn notable success. Finzi writes for the piano lyrically and independently, as though the piano were a duetting voice—or in many cases, voices. This paper focuses on a pianist’s view of Finzi’s writing, as seen in A Young Man’s Exhortation, Op. 14.

Digital Object Identifier (DOI)

https://doi.org/10.13023/etd.2023.094

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