Theses/Dissertations from 2022
Choosing Alternative Repertoire: Pedagogical Considerations for Robert Fuchs's Cello Sonata No. 2, Op. 83, Jerram Isaac John
LEVERAGING CULTURAL ASSETS OF CULTURALLY AND LINGUISTICALLY DIVERSE INDIVIDUALS IN MUSIC THERAPY: A QUALITATIVE PHENOMENOLOGICAL STUDY, Emma Grace King
KAROL LIPIŃSKI AS A MUSICAL INTERPRETER IN THE PRE-JOACHIM ERA, Andrzej Kunecki
The Lived Supervision Experiences of Disabled Music Therapists, Emma Martin
The Psalmodia Project, Saulo Moura
The Hybrid Teacher: Expanding the Vocal Pedagogy Regime, Mary Joy Nelson
Choral Music Educator Pedagogies for Multilingual Learner Inclusion: A Critical Multiple Case Study, Austin Cole Norrid
Should Conductors Listen To Recordings When They Learn Scores?, Jan Pellant
X Marks Nothing: Chiasmus and Kenosis in Kaija Saariaho's La Passion de Simone, Desiree Scarambone
VIOLA MUSIC WRITTEN BY COSTA RICAN COMPOSERS: Analysis of Three Compositional Trends in Costa Rica, Karen Soto Huertas
Medieval Minstrels in Media: A Comparative Study of Minstrelsy in the Robin Hood Tale, Medieval Society, and Media, Heather Sounik
Revising the Orchestral Reduction of Jacques Ibert's Concerto for Flute and Orchestra, Nathan Stites
JOCELYN HAGEN’S CHORAL SETTINGS ON TEXTS BY SARA TEASDALE: ANALYSIS AND REHEARSAL AND PERFORMANCE GUIDELINES, Elizabeth Wilson
Siren Song: Examining the Lorelei Topos in Nineteenth-Century German Art Song and Its Manifestation and Transformation in Popular Song, Elizabeth Woodall
Theses/Dissertations from 2021
Perspectives on Cultivating a Positive Collegiate Clarinet Studio Environment: A Survey of Students and Professors, Katherine Nichole Breeden
PERCEPTIONS OF RURAL MIDDLE SCHOOL BAND DIRECTORS REGARDING STUDENT RECRUITMENT STRATEGIES: AN INSTRUMENTAL MULTIPLE CASE STUDY, Kaitlin Callihan
JOHN WESLEY WORK III: ARRANGER, PRESERVER, AND HISTORIAN OF AFRICAN AMERICAN TRADITIONAL MUSIC, Kaylina Madison Crawley
The G7 Suite: Score and Analysis, Joseph C. Dunn
ORCHESTRAL EXCERPTS FOR TROMBONE FROM VILLA-LOBOS’S “CHÔROS”– PERFORMANCE CONSIDERATIONS AND COLLECTED EDITION, Hugo Eustáquio de Faria Pinheiro Sr.
Fluid Dynamics: Representations of Water in Music, James E. Evans
SHINING A SPOTLIGHT ON FEMALE AFRICAN AMERICAN COMPOSER EVELYN SIMPSON-CURENTON, Iris E. Fordjour-Hankins
THE CLARINET AND PIANO WORKS OF ERNST MAHLE: A COLLABORATIVE PIANIST’S PERSPECTIVE, Edgar Augusto Gonsales
SONGS FOR HIGH VOICE: AN ANNOTATED GUIDE TO AFRICAN ROMANCES, OP. 17 BY SAMUEL COLERIDGE-TAYLOR, Makeda Danielle Hampton
MICHAEL DAUGHERTY’S BELLS FOR STOKOWSKI: HISTORICAL CONTEXT & COMPARATIVE ANALYSIS FOR ORCHESTRA AND WIND BAND, Jeremy Harmon
Beyond the Notation: Developing Tools to Guide Artistic Decisions of Performers in the Wind Ensemble, Brent Johnson
