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Theses/Dissertations from 2018

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A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT, Eric Charles Brown

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PEOPLE EXPERIENCING HOMELESSNESS WITHIN MUSIC THERAPY SETTINGS: A DESCRIPTIVE STUDY, Amelia E. Ehmling

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FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III, Jeffrey Daniel Jones

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FIFTHS: AN APPROACH TO VIOLIN TECHNIQUE FOR THE LEFT HAND AS TAUGHT BY RODNEY FRIEND, Jessica Miskelly

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EVALUATING APPROPRIATE REPERTOIRE FOR DEVELOPING SINGERS: AN AFRICAN-AMERICAN ART SONG ANTHOLOGY, Nicole Michelle Sonbert

Theses/Dissertations from 2017

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THE FIRST THREE GUITAR SONATAS OF DAVID DEL PUERTO, Jeremy Andrew Bass

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THE WIND MUSIC OF STEVE DANYEW: A DISCUSSION AND ANALYSIS OF THREE SIGNIFICANT WIND COMPOSITIONS, Michael C. Black

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SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS, André Campelo

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HARVEST FESTIVAL BY YANN-JONG HWANG: A PIANO DUET INSPIRED BY TAIWANESE FOLK TUNES, Wei-Sian Chen

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Synchrony of the Sublime: A Performer's Guide to Duke Ellington's Wordless Melodies for Soprano, Lisa M. Clark

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Redefining the Performance Degree Curriculum for the Crossover Saxophonist, Ian M. Cruz

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MARCH PERFORMANCE PRACTICES OF HENRY FILLMORE WITH STYLE GUIDES AND HISTORICAL EDITIONS OF SELECTED WORKS, James Robert Daughters

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A CONDUCTOR’S ANALYSIS OF VELJO TORMIS’ LOODUSPILDID, John David Frizzell

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Anders Åstrand: A Paragon of the Modern Musical Aesthetic, Matthew Geiger

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THE SEARCH FOR CONSISTENT INTONATION: AN EXPLORATION AND GUIDE FOR VIOLONCELLISTS, Daniel Hoppe

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WHEN UNEXPECTED BEAUTY BURNS LIKE SUNLIGHT ON THE SEA: SONGS OF WINTTER WATTS, COMPOSER AND SARA TEASDALE, POET, Casey A. Huggins

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DUENDE: FOUR PRELUDES FOR SYMPHONIC WIND ENSEMBLE BY LUIS SERRANO ALARCÓN: CONDUCTOR’S GUIDE, SPANISH HISTORICAL BACKGROUND AND INFLUENCE, Kenneth Javier Iyescas

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The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827, Todd R. Jones

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THE CELLO WORKS OF ERNST VON DOHNÁNYI, William Joseph Meyer

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Analyzing Songs Used for Lyric Analysis With Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software, Ashley M. Miller

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WHY WE SING ALONG: MEASURABLE TRAITS OF SUCCESSFUL CONGREGATIONAL SONGS, Daniel Read

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Music Therapists’ Self-Compassion, Compassion for Others, and Professional Quality of Life, Jamie E. Rushing

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THE CADENZAS OF THE FIRST MODERN GUITAR CONCERTOS, Carlos Ricardo Saeb Valenzuela

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Misbehaving Minuets: A Preliminary Theory of Humor and Dance Form in Haydn's Opp. 76 and 77, Jennifer L. Salamone

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A HISTORY, ANALYSIS, AND PERFORMANCE GUIDE TO SAMUEL BARBER’S CANZONETTA FOR OBOE AND STRING ORCHESTRA, Angela C. Sallas