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Theses/Dissertations from 2022

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MOMENTARY ENDURANCE: THE EFFECTS OF MOUTHPIECE PRESSURE AND CAPILLARY REFILL TIME ON SHORT-TERM MUSCLE RECOVERY IN TRUMPET PLAYERS, Taylor Gustad

Theses/Dissertations from 2021

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Perspectives on Cultivating a Positive Collegiate Clarinet Studio Environment: A Survey of Students and Professors, Katherine Nichole Breeden

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PERCEPTIONS OF RURAL MIDDLE SCHOOL BAND DIRECTORS REGARDING STUDENT RECRUITMENT STRATEGIES: AN INSTRUMENTAL MULTIPLE CASE STUDY, Kaitlin Callihan

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JOHN WESLEY WORK III: ARRANGER, PRESERVER, AND HISTORIAN OF AFRICAN AMERICAN TRADITIONAL MUSIC, Kaylina Madison Crawley

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The G7 Suite: Score and Analysis, Joseph C. Dunn

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ORCHESTRAL EXCERPTS FOR TROMBONE FROM VILLA-LOBOS’S “CHÔROS”– PERFORMANCE CONSIDERATIONS AND COLLECTED EDITION, Hugo Eustáquio de Faria Pinheiro Sr.

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Fluid Dynamics: Representations of Water in Music, James E. Evans

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SHINING A SPOTLIGHT ON FEMALE AFRICAN AMERICAN COMPOSER EVELYN SIMPSON-CURENTON, Iris E. Fordjour-Hankins

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THE CLARINET AND PIANO WORKS OF ERNST MAHLE: A COLLABORATIVE PIANIST’S PERSPECTIVE, Edgar Augusto Gonsales

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SONGS FOR HIGH VOICE: AN ANNOTATED GUIDE TO AFRICAN ROMANCES, OP. 17 BY SAMUEL COLERIDGE-TAYLOR, Makeda Danielle Hampton

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MICHAEL DAUGHERTY’S BELLS FOR STOKOWSKI: HISTORICAL CONTEXT & COMPARATIVE ANALYSIS FOR ORCHESTRA AND WIND BAND, Jeremy Harmon

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Beyond the Notation: Developing Tools to Guide Artistic Decisions of Performers in the Wind Ensemble, Brent Johnson

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An Analysis of Kingdom of the Heart's Content, Op. 11 by Joseph Baber, Sanghee Kim

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Symphony No. 3 for Chamber Orchestra, Derrik Nelson

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A MUSICAL ANALYSIS OF WILLIAM GRANT STILL'S SONGS OF SEPARATION: THE CHAMBER ARRANGEMENT, Michael Preacely

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CIRCUITION: CONCERTO FOR JAZZ GUITAR AND ORCHESTRA, Richard Alan Robinson

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TEACHER PERSPECTIVES ON THE INFLUENCE OF PARTICIPATION IN DALCROZE TRAINING IN THE K–12 MUSIC CLASSROOM: A MIXED METHODS STUDY, Holly Smith

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CHIMURENGA CHEPFUNGWA: A LIBERATED CULTURAL CURRICULUM FOR THE MADZIMBABWE SINGER, Tanyaradzwa Tawengwa

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A Study of Language and Its Uses In Flute Performance and Pedagogy, Sarah Tuley

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A PILOT STUDY EVALUATING A TRAINING FOR MUSIC THERAPY STUDENTS ON CONSIDERATIONS FOR LGBTQ CLIENTS, Cecilia Blair Wright

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CROUCHING TIGER CELLO CONCERTO - A MELDING OF FORM AND CONTENT FOR THE CONCERT STAGE, Xiaohang Yu

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A New Model of Interpreting Modified Strophic Design: Brahms’s Late Viennese Solo Lieder, Yung-Ching Yu

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A GLIMPSE INTO CHINESE PIANO EDUCATION AND PERFORMANCE THROUGH AN INFLUENTIAL PROFESSOR, Xin Zhang

Theses/Dissertations from 2020

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Zappa’s Remembrance of a Forgotten Style: The Relationship Between Frank Zappa and Doo-Wop as Illustrated in Cruising with Ruben & The Jets, Benjamin Adamo

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ICTUS OR REBOUND? THE EXPERIENCE OF BEHIND-THE-BEAT PLAYING IN ORCHESTRAL CONDUCTING, Sey Ahn