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Theses/Dissertations from 2020

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Zappa’s Remembrance of a Forgotten Style: The Relationship Between Frank Zappa and Doo-Wop as Illustrated in Cruising with Ruben & The Jets, Benjamin Adamo

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ICTUS OR REBOUND? THE EXPERIENCE OF BEHIND-THE-BEAT PLAYING IN ORCHESTRAL CONDUCTING, Sey Ahn

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Songs in the Heart: The Cornet Solos Written for Derek Smith, Jeffrey Barrington

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STEVEN BRYANT’S THE AUTOMATIC EARTH: A CONDUCTOR’S ANALYSIS AND PERFORMANCE PERSPECTIVES, Corey S. Bonds

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ENGAGING THE ECLECTIC BULGARIAN SOUL IN VIOLA CONCERTO NO. 1 BY MARIN GOLEMINOV (1908-2000): A FACETED ANALYSIS WITH NEW PEDAGOGICAL STUDIES, Lubitza Braikova

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The Vespers Psalms of Baldassare Galuppi, Scot Buzza

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A PERFORMER’S GUIDE TO NORMAN BOLTER’S MORNING WALK FOR TROMBONE AND PIANO, Justin Croushore

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PASSACAGLIA AND ITS RELATED FORMS: BEFORE, DURING, AND AFTER 18TH CENTURY BAROQUE AND PROGRAM NOTES, Austin Han

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Compositional Modeling: A Classical Imitative Pedagogy for the Modern Era, Robert Harris Jeter

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AN EXPLORATION OF SMETANA’S Z DOMOVINY (FROM MY HOMELAND), TWO PIECES FOR VIOLIN AND PIANO, JB 1:118, Yeseul Kim

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AN UNDERSTANDING OF STYLE OF BAROQUE ORNAMENTATION IN HANDEL’S OPERATIC ARIAS: A STUDY OF SELECTED RECORDINGS (1950s – 2010s), Junghyun Lee

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SONG TEACHING AND SINGING ACCURACY OF THIRD GRADE ELEMENTARY MUSIC STUDENTS: AN INVESTIGATION USING MULTILEVEL MODELING, Kateri Miller

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INSIDE OUTSIDE: THE CULTURAL PARADOX OF SALVATION ARMY BRASS BANDS IN AMERICA DURING THE AGE OF NATIONALISM, Nathan Miller

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Two Analytical Essays, Abigail Rueger

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A Multiple Case Study of Music Therapists' Perceptions of Vocal Health, Emily Rush

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Training Music Therapists and Music Therapy Students to Provide Trauma-Informed Care: Training Development and Pilot Feasibility Study, McKenna B. Wilson

Theses/Dissertations from 2019

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PARTITA FOR 8 VOICES & WIND ENSEMBLE: A TRANSCRIPTION PROCESS, Kaitlin May Bove

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A Performance Guide to Arthur Bliss's Sonata for Viola and Piano, Andrew Braddock

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POSTMINIMALIST CHORAL MUSIC: A PEDAGOGICAL PERSPECTIVE, Joshua John Chai

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Fanny Hensel's Das Jahr: Emergent Meaning at the Intersection of Textual, Visual, and Aural Modalities, Lindsay Gray Clavere

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A MUSICAL-HISTORICAL STUDY OF ITALIAN INFLUENCES IN THREE REGINA CAELI OF THE FRENCH BAROQUE PERIOD, Marie-France Duclos

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LOST & FOUND AN ELECTRO-ACOUSTIC MUSICAL COMPOSITION REFERENCING A DAY IN AN AFRICAN VILLAGE: A COMMENTARY ON A MUSICAL COMPOSITION, George Essilfie

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FINDING THE “TECH” IN TECHNIQUE: A PEDAGOGICAL APPROACH TO ELECTROACOUSTIC CONCERT PERCUSSION PERFORMANCE PRACTICE, William Brady Harrison II

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A STUDY OF UNEMPLOYMENT AND UNDEREMPLOYMENT IN CLINICAL MUSIC THERAPY, Christopher A. Kelley

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THE EFFECTIVENESS OF MUSIC THERAPY INTERVENTIONS WITH PERSONS OF CONCERN: AN INTEGRATIVE REVIEW, Grace Lauzon