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Theses/Dissertations from 2020

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A PERFORMER’S GUIDE TO NORMAN BOLTER’S MORNING WALK FOR TROMBONE AND PIANO, Justin Croushore

Theses/Dissertations from 2019

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PARTITA FOR 8 VOICES & WIND ENSEMBLE: A TRANSCRIPTION PROCESS, Kaitlin May Bove

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A Performance Guide to Arthur Bliss's Sonata for Viola and Piano, Andrew Braddock

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POSTMINIMALIST CHORAL MUSIC: A PEDAGOGICAL PERSPECTIVE, Joshua John Chai

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Fanny Hensel's Das Jahr: Emergent Meaning at the Intersection of Textual, Visual, and Aural Modalities, Lindsay Gray Clavere

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A MUSICAL-HISTORICAL STUDY OF ITALIAN INFLUENCES IN THREE REGINA CAELI OF THE FRENCH BAROQUE PERIOD, Marie-France Duclos

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LOST & FOUND AN ELECTRO-ACOUSTIC MUSICAL COMPOSITION REFERENCING A DAY IN AN AFRICAN VILLAGE: A COMMENTARY ON A MUSICAL COMPOSITION, George Essilfie

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FINDING THE “TECH” IN TECHNIQUE: A PEDAGOGICAL APPROACH TO ELECTROACOUSTIC CONCERT PERCUSSION PERFORMANCE PRACTICE, William Brady Harrison II

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A STUDY OF UNEMPLOYMENT AND UNDEREMPLOYMENT IN CLINICAL MUSIC THERAPY, Christopher A. Kelley

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THE EFFECTIVENESS OF MUSIC THERAPY INTERVENTIONS WITH PERSONS OF CONCERN: AN INTEGRATIVE REVIEW, Grace Lauzon

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A SINGER’S STRESS: YOGA AND MEDITATION TECHNIQUES IN THE COLLEGIATE VOICE STUDIO, Zackery David Morris

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WHEN THE INHUMAN BECOMES HUMAN: AN EXAMINATION OF THE MUSICAL PORTRAYAL OF THE ROBOT IN TWENTY-FIRST CENTURY SCIENCE-FICTION CINEMA THROUGH AN ANALYSIS OF THE FILM SCORES OF AUTOMATA, EX MACHINA, AND THE MACHINE, Rebecca Ann O'Brien

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THEORETICAL STUDY AND PERFORMING EDITION OF SONATA III BY JAVIER G. COMPEÁN, José Mario Ortiz Sánchez

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MORTEN LAURIDSEN’S CHORAL CYCLE, NOCTURNES: A CONDUCTOR’S ANALYSIS, Margaret B. Owens

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TERESA CARREÑO’S EARLY YEARS IN CARACAS: CULTURAL INTERSECTIONS OF PIANO VIRTUOSITY, GENDER, AND NATION-BUILDING IN THE NINETEENTH CENTURY, Laura Pita

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A KENTUCKY PIONEER IN MUSIC THERAPY: AN ORAL HISTORY ON THE LIFE AND CAREER OF LORINDA JONES, Emma Powers

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FACTORS INFLUENCING MUSIC THERAPY CAREER CHOICE IN THE UNITED STATES: A STUDY OF STUDENT VALUES AND EXPECTANCIES, Margaret R. Scheppmann

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Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century, Saesha Senger

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EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY, Robert Jacob Sivy

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JOHN MACKEY’S WINE-DARK SEA: SYMPHONY FOR BAND A DISCOURSE AND ANALYSIS OF JOHN MACKEY’S SYMPHONY FOR BAND, Jonathan C. Sweet

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REMAKING THE ICONIC LULU: TRANSFORMATIONS OF CHARACTER, CONTEXT, AND MUSIC, Jennifer Tullmann

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SYMPHONIC FANTASY: DISCUSSION AND ANALYSIS, Tyler Turcotte

Theses/Dissertations from 2018

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A PERFORMANCE GUIDE: AN ANALYSIS OF RICHARD FAITH’S SETTINGS OF MOTHER GOOSE, David B. Baker

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THE NILES-MERTON SONGS: A PERFORMANCE GUIDE OF SELECTED SONGS, Brittany C. Benningfield

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A PERFORMANCE GUIDE FOR BARITONE: A PEDAGOGICAL ANALYSIS OF BEETHOVEN’S SECHS LIEDER NACH GEDICHTEN VON GELLERT, Eric Charles Brown