Theses/Dissertations from 2019
A REPURPOSED NARRATIVE: MARY ROWLANDSON’S NARRATIVE AND PRE-REVOLUTIONARY SENTIMENT, Steven F. Thomas
Theses/Dissertations from 2018
ALL YOUR BELONGINGS AND OTHER STORIES, Austin Baurichter
MOVING EXPERIENCES: WOMEN AND MOBILITY IN LATE NINETEENTH AND EARLY TWENTIETH-CENTURY AMERICAN LITERATURE, Amy Simpson Birk
ORDINARY DEVOTION, Austyn Gaffney
PRETEND THE BALL IS NAMED JIM CROW, Dorian Hairston
PRETTY SAD ENDINGS, Christopher Parker Hobson
REBOOTING MASCULINITY AFTER 9/11: MALE HEROISM ON FILM FROM BUSH TO TRUMP, Owen R. Horton
CHOOSE YOUR END!, Jordan Hubrich
CAPE FEAR STORIES, Evan C. Kabrick-Arneson
THE SIZE OF A RAINDROP, Rachel Elaina Kersey
CHILD OF INVENTION, Douglas M. LeNeave
WILD ABANDON: POSTWAR LITERATURE BETWEEN ECOLOGY AND AUTHENTICITY, Alexander F. Menrisky
AMERICAN IDYLL: STORIES, Neleigh Olson
UNDERSTANDING THE GRAY: AGING WOMEN IN VICTORIAN CULTURE AND FICTION, Hannah T. Ruehl
AUTO-FEM: ESSAYS, Krystin Santos
“HE’LL JUST BE PAUL NEWMAN ANYWAY”: CINEMATIC CONTINUITY AND THE STAR IMAGE, William Guy Spriggs
THE ELEGANT UNIVERSE: STORIES, Katharine Tighe-Pigott
AMERICAN MNEMONIC: RACIAL IDENTITY IN WOMEN’S LIFE WRITING OF THE CIVIL WAR, Katherine Waddell
THE DUMB WEIGHT, Sophie Weiner
MEETING AT THE THRESHOLD: SLAVERY’S INFLUENCE ON HOSPITALITY AND BLACK PERSONHOOD IN LATE-ANTEBELLUM AMERICAN LITERATURE, Rebecca Wiltberger Wiggins
Theses/Dissertations from 2017
NEW YEAR, OLD BLUES, Joy Bowman
STRANGERS WITH CAMERAS: THE CONSEQUENCES OF APPALACHIAN REPRESENTATION IN POP CULTURE, Chelsea L. Brislin
REDRESSING THE ADJUNCT STAFFING MODEL IN AMERICAN HIGHER EDUCATION, Andrew C. Casto
The (Un)seen, Bernard Clay
A FAST-MOVING STORM, Amanda Kelley Corbin