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Theses/Dissertations from 2018

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“HE’LL JUST BE PAUL NEWMAN ANYWAY”: CINEMATIC CONTINUITY AND THE STAR IMAGE, William Guy Spriggs

THE ELEGANT UNIVERSE: STORIES, Katharine Tighe-Pigott

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AMERICAN MNEMONIC: RACIAL IDENTITY IN WOMEN’S LIFE WRITING OF THE CIVIL WAR, Katherine Waddell

THE DUMB WEIGHT, Sophie Weiner

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MEETING AT THE THRESHOLD: SLAVERY’S INFLUENCE ON HOSPITALITY AND BLACK PERSONHOOD IN LATE-ANTEBELLUM AMERICAN LITERATURE, Rebecca Wiltberger Wiggins

Theses/Dissertations from 2017

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NEW YEAR, OLD BLUES, Joy Bowman

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STRANGERS WITH CAMERAS: THE CONSEQUENCES OF APPALACHIAN REPRESENTATION IN POP CULTURE, Chelsea L. Brislin

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REDRESSING THE ADJUNCT STAFFING MODEL IN AMERICAN HIGHER EDUCATION, Andrew C. Casto

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The (Un)seen, Bernard Clay

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A FAST-MOVING STORM, Amanda Kelley Corbin

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THE MALE MENTOR FIGURE IN WOMEN'S FICTION, 1778-1801, Jessica R. Evans

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Retracing John Muir's Thousand-Mile Walk to the Gulf, Chadwick N. Gilpin

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BOUNDARIES OF KNOWLEDGE: EXPERTISE AND PROFESSIONALISM IN BRITISH AND POSTCOLONIAL LITERATURE, Patrick Steven Herald

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AMERICAN CULTURE OF SERVITUDE: THE PROBLEM OF DOMESTIC SERVICE IN ANTEBELLUM LITERATURE AND CULTURE, Andrea Holliger

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A Theory of Veteran Identity, Travis L. Martin

Shouting Distance, Gary T. Smith

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Women of the Apocalypse: Afrospeculative Feminist Novelists, Bianca L. Spriggs

Theses/Dissertations from 2016

The Future Perfect, Sarah J. Abbott

Conversations with Lady Chatterley, Catherine A. Brereton

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Mind Against Matter: Isolating Consciousness in American Fiction, 1980-2010, Eric E. Casero

Portland and Other Stories, Amy Copelin

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Hat and Man, Sean L. Corbin

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FATHER OF ALL DESTRUCTION: THE ROLE OF THE WHITE FATHER IN CONTEMPORARY POST-APOCALYPTIC CINEMA, Felicia Cosey

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The Convergance of Arcadia, John Duncan

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Come Together: Desire, Literature, and the Law of the Sexual Revolution, Eir-Anne E. Edgar