Theses/Dissertations from 2017
NEW YEAR, OLD BLUES, Joy Bowman
STRANGERS WITH CAMERAS: THE CONSEQUENCES OF APPALACHIAN REPRESENTATION IN POP CULTURE, Chelsea L. Brislin
REDRESSING THE ADJUNCT STAFFING MODEL IN AMERICAN HIGHER EDUCATION, Andrew C. Casto
The (Un)seen, Bernard Clay
A FAST-MOVING STORM, Amanda Kelley Corbin
THE MALE MENTOR FIGURE IN WOMEN'S FICTION, 1778-1801, Jessica R. Evans
Retracing John Muir's Thousand-Mile Walk to the Gulf, Chadwick N. Gilpin
BOUNDARIES OF KNOWLEDGE: EXPERTISE AND PROFESSIONALISM IN BRITISH AND POSTCOLONIAL LITERATURE, Patrick Steven Herald
AMERICAN CULTURE OF SERVITUDE: THE PROBLEM OF DOMESTIC SERVICE IN ANTEBELLUM LITERATURE AND CULTURE, Andrea Holliger
A Theory of Veteran Identity, Travis L. Martin
Shouting Distance, Gary T. Smith
Women of the Apocalypse: Afrospeculative Feminist Novelists, Bianca L. Spriggs
Theses/Dissertations from 2016
The Future Perfect, Sarah J. Abbott
Conversations with Lady Chatterley, Catherine A. Brereton
Mind Against Matter: Isolating Consciousness in American Fiction, 1980-2010, Eric E. Casero
Portland and Other Stories, Amy Copelin
Hat and Man, Sean L. Corbin
FATHER OF ALL DESTRUCTION: THE ROLE OF THE WHITE FATHER IN CONTEMPORARY POST-APOCALYPTIC CINEMA, Felicia Cosey
The Convergance of Arcadia, John Duncan
Come Together: Desire, Literature, and the Law of the Sexual Revolution, Eir-Anne E. Edgar
Life Matter: Women Subjects and Women's Objects in Innovative American Poetry, Jenna L. Goldsmith
The Age of Intervention: Addiction, Culture, and Narrative During the War on Drugs, Ashleigh M. Hardin
What Slides From the Pain Chamber, Megan D. Henson
Comanche Boys, Benjamin D. Honea
Northside, Jesse L. Houk
