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Theses/Dissertations from 2017

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A FAST-MOVING STORM, Amanda Kelley Corbin

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THE MALE MENTOR FIGURE IN WOMEN'S FICTION, 1778-1801, Jessica R. Evans

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Retracing John Muir's Thousand-Mile Walk to the Gulf, Chadwick N. Gilpin

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BOUNDARIES OF KNOWLEDGE: EXPERTISE AND PROFESSIONALISM IN BRITISH AND POSTCOLONIAL LITERATURE, Patrick Steven Herald

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AMERICAN CULTURE OF SERVITUDE: THE PROBLEM OF DOMESTIC SERVICE IN ANTEBELLUM LITERATURE AND CULTURE, Andrea Holliger

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A Theory of Veteran Identity, Travis L. Martin

Shouting Distance, Gary T. Smith

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Women of the Apocalypse: Afrospeculative Feminist Novelists, Bianca L. Spriggs

Theses/Dissertations from 2016

The Future Perfect, Sarah J. Abbott

Conversations with Lady Chatterley, Catherine A. Brereton

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Mind Against Matter: Isolating Consciousness in American Fiction, 1980-2010, Eric E. Casero

Portland and Other Stories, Amy Copelin

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Hat and Man, Sean L. Corbin

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FATHER OF ALL DESTRUCTION: THE ROLE OF THE WHITE FATHER IN CONTEMPORARY POST-APOCALYPTIC CINEMA, Felicia Cosey

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The Convergance of Arcadia, John Duncan

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Come Together: Desire, Literature, and the Law of the Sexual Revolution, Eir-Anne E. Edgar

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Life Matter: Women Subjects and Women's Objects in Innovative American Poetry, Jenna L. Goldsmith

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The Age of Intervention: Addiction, Culture, and Narrative During the War on Drugs, Ashleigh M. Hardin

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What Slides From the Pain Chamber, Megan D. Henson

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Comanche Boys, Benjamin D. Honea

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Northside, Jesse L. Houk

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Patriarchal Trauma in Appalachian Literature, Michelle Justus

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MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM, Amanda Konkle

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Distinctly American: Performing Humanity in African American Literature from Proto to Post New Negro Renaissance, Julie A. Naviaux

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STRONG, INDEPENDENT, AND IN LOVE: FIGHTING FEMALE FANTASIES IN POPULAR CULTURE, Allison P. Palumbo