Theses/Dissertations from 2017
A FAST-MOVING STORM, Amanda Kelley Corbin
THE MALE MENTOR FIGURE IN WOMEN'S FICTION, 1778-1801, Jessica R. Evans
Retracing John Muir's Thousand-Mile Walk to the Gulf, Chadwick N. Gilpin
BOUNDARIES OF KNOWLEDGE: EXPERTISE AND PROFESSIONALISM IN BRITISH AND POSTCOLONIAL LITERATURE, Patrick Steven Herald
AMERICAN CULTURE OF SERVITUDE: THE PROBLEM OF DOMESTIC SERVICE IN ANTEBELLUM LITERATURE AND CULTURE, Andrea Holliger
A Theory of Veteran Identity, Travis L. Martin
Shouting Distance, Gary T. Smith
Women of the Apocalypse: Afrospeculative Feminist Novelists, Bianca L. Spriggs
Theses/Dissertations from 2016
The Future Perfect, Sarah J. Abbott
Conversations with Lady Chatterley, Catherine A. Brereton
Mind Against Matter: Isolating Consciousness in American Fiction, 1980-2010, Eric E. Casero
Portland and Other Stories, Amy Copelin
Hat and Man, Sean L. Corbin
FATHER OF ALL DESTRUCTION: THE ROLE OF THE WHITE FATHER IN CONTEMPORARY POST-APOCALYPTIC CINEMA, Felicia Cosey
The Convergance of Arcadia, John Duncan
Come Together: Desire, Literature, and the Law of the Sexual Revolution, Eir-Anne E. Edgar
Life Matter: Women Subjects and Women's Objects in Innovative American Poetry, Jenna L. Goldsmith
The Age of Intervention: Addiction, Culture, and Narrative During the War on Drugs, Ashleigh M. Hardin
What Slides From the Pain Chamber, Megan D. Henson
Comanche Boys, Benjamin D. Honea
Northside, Jesse L. Houk
Patriarchal Trauma in Appalachian Literature, Michelle Justus
MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM, Amanda Konkle
Distinctly American: Performing Humanity in African American Literature from Proto to Post New Negro Renaissance, Julie A. Naviaux
STRONG, INDEPENDENT, AND IN LOVE: FIGHTING FEMALE FANTASIES IN POPULAR CULTURE, Allison P. Palumbo