The Decentralization of Subject in African American Feminist Photography: Constructing Identity based on Representation and Race in the Work of Lorna Simpson, Carrie Mae Weems and Clarissa Sligh

Authors

Kathleen D. Adrian, Loyola College

DOI

https://doi.org/10.13023/DISCLOSURE.07.03

Creative Commons License

This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License

Recommended Citation

Adrian, Kathleen D. (1998) "The Decentralization of Subject in African American Feminist Photography: Constructing Identity based on Representation and Race in the Work of Lorna Simpson, Carrie Mae Weems and Clarissa Sligh," disClosure: A Journal of Social Theory: Vol. 7, Article 3.
DOI: https://doi.org/10.13023/DISCLOSURE.07.03
Available at: https://uknowledge.uky.edu/disclosure/vol7/iss1/3