Access Type

Online access to this book is only available to eligible users.

Files

Download

Download Full Text (4.2 MB)

Description

From the legendary poet Oisin to modernist masters like James Joyce, William Butler Yeats, and Samuel Beckett, Ireland’s literary tradition has made its mark on the Western canon. Despite its proud tradition, the student who searches the shelves for works on Irish women’s fiction is liable to feel much as Virginia Woolf did when she searched the British Museum for work on women by women. Critic Nuala O’Faolain, when confronted with this disparity, suggested that “modern Irish literature is dominated by men so brilliant in their misanthropy . . . [that] the self-respect of Irish women is radically and paradoxically checkmated by respect for an Irish national achievement.”

While Ann Owens Weekes does not argue with the first part of O’Faolain’s assertion, she does with the second. In Irish Women Writers: An Uncharted Tradition, she suggests that it is the critics rather than the writers who have allowed themselves to be checkmated. Beginning with Maria Edgeworth’s Castle Rackrent (1800) and ending with Jennifer Johnston’s The Railway Station (1980), she surveys the best of the Ireland’s female literature to show its artistic and historic significance and to demonstrate that it has its own themes and traditions related to, yet separate from, that of male Irish writers.

Weekes examines the work of writers like E.OE. Somerville and Martin Ross (pen names for cousins Edith Somerville and Violet Martin), Elizabeth Bowen, Kate O’Brien, Mary Lavin, and Molly Keane, among others. She teases out the themes that recur in these writers’ works, including the link between domestic and political violence and re-visioning of traditional stories, such as Julia O’Faolain’s use of the Cuchulain and Diarmuid and Grainne myths to reveal the negation of women’s autonomy. In doing so, she demonstrates that the literature of Anglo- and Gaelic-Irish women presents a unified tradition of subjects and techniques, a unity that might become an optimistic model not only for Irish literature but also for Irish people.

Ann Owens Weekes is a retired associate professor of humanities and English at the University of Arizona and author of Unveiling Treasures: Attic Guide to Published Works of Irish Women Literary Writers.

Publication Date

1990

Publisher

The University Press of Kentucky

Place of Publication

Lexington, KY

ISBN

9780813193090

eISBN

9780813150550

Keywords

Irish women writers, Ireland in literature

Disciplines

Literature in English, Anglophone outside British Isles and North America

Irish Women Writers: An Uncharted Tradition
Read Sample Off-campus Download for UK only

Consortium members may access while on their campus.

Share

COinS