The Re-Imagined Text: Shakespeare, Adaptation, and Eighteenth-Century Literary Theory

Authors

Jean I. Marsden, University of Connecticut

Access Type

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Description

Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays.

Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words.

Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work.

In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.

Jean I. Marsden is associate professor of English at the University of Connecticut.

"A scrupulous and well-argued study. . . . Marsden has written an important chapter in the history of the literary text itself."—Modern Philology

"A groundbreaking instance of what might be called a 'post-critical' or 'post-ideological' method. . . . Entertaining and information, this non-stop page turner is a gala opening-night event."—Besprechungen

Publication Date

2-23-1995

Publisher

The University Press of Kentucky

Place of Publication

Lexington, KY

ISBN

9780813156132

eISBN

9780813161433

Keywords

William Shakespeare, English drama, Adaptations, Literary form

Disciplines

Dramatic Literature, Criticism and Theory

Recommended Citation

Marsden, Jean I., "The Re-Imagined Text: Shakespeare, Adaptation, and Eighteenth-Century Literary Theory" (1995). Dramatic Literature, Criticism, and Theory. 7.
https://uknowledge.uky.edu/upk_dramatic_literature/7