Author ORCID Identifier
Date Available
11-15-2023
Year of Publication
2023
Document Type
Doctoral Dissertation
Degree Name
Doctor of Philosophy (PhD)
College
Arts and Sciences
Department/School/Program
Hispanic Studies
Advisor
Dr. Dierdra Reber
Abstract
My dissertation analyzes the representation of Spanish “Conquest” in film as a critical commentary on the cultural present. Chapter 1, “Directorial Discord: The Cultural Politics of Representation in Apocalypto (USA/Mexico/UK, 2006) and Retorno a Aztlán (Return to Aztlán, Mexico, 1991)” focuses on the representation of the (im)possibility of Indigenous heroic protagonism and futurity in the origins of “Conquest.” Chapter 2, “‘The World is Thus’: Resistance and the Power of Ambivalent Conversion in Gabriel Retes’s Nuevo Mundo (The New World; Mexico, 1976) and Roland Joffé’s The Mission (USA/Paraguay, 1986)” posits that the “Conquest” problematizes the myth of absolute Indigenous religious conversion to Catholicism via ambivalent spiritual relationships between Spanish priests and their Indigenous converts. Chapter 3, “Capital and the Logic of Self-Preservation in Guillermo del Toro’s Cronos (Mexico, 1993), Fia-Stina Sandlund and Alejo Moguillansky’s El escarabajo de oro or Victorias Hämnd (The Gold Bug, or Victoria’s Revenge; Sweden/Argentina, 2014), and Icíar Bollaín’s También la lluvia (Even the Rain; Spain/Bolivia, 2010)” analyzes the representation of transnational capital on the global stage, where a colonial past links to the contemporary contest for control over Latin American resources. In light of public protests that have destroyed “Conquest” monuments across the globe, I offer my study of these films to analyze the contestatory logic of this movement.
Recommended Citation
Turner, Stephen Jakob, "FORUM ON “CONQUEST”: PAST-PRESENT POLITICS OF COLONIALITY IN CINEMA ON LATIN AMERICA" (2023). Theses and Dissertations--Hispanic Studies. 61.
https://uknowledge.uky.edu/hisp_etds/61
