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Year of Publication

2024

Degree Name

Master of Fine Arts in Curatorial Studies (MFA)

Document Type

Master's Thesis, Exhibition Catalogue

College

Fine Arts

Department/School/Program

Art and Visual Studies

First Advisor

Dr. Miriam Kienle

Description

The artists in Beyond Grotesque: Contemporary Artists Confronting Abjection address the monstrous aspects of life by portraying repulsive encounters in a direct manner. In its abject nature, the grotesque defies conventional notions of art as beautifying. The contemporary artists in Beyond Grotesque subvert the idea that beauty is an indication of good moral character and instead, they assert the grotesque as a device that challenges our expectations of the good and expands our humanity.

Yvonne Petkus delves into the intricacies of struggle, survival, and vulnerability within the human experience. Through pieces like Headwind, Collapse, and Colossus, Petkus portrays the ephemeral forms of women, their figures distorted yet resolute amidst adversity. These bodies in flux utilize the disorienting nature of the grotesque to ask that we contemplate the uncomfortable feeling of disassociation, at once being present and out of place.

Brandon Smith's artworks serve as a conduit for emotional expression of sensory experience, offering viewers a profound exploration of the complexities of physiological experience. Through his use of grotesque imagery, Smith invites us to confront our own physical vulnerabilities. With deliberately mismatched proportions, these depictions blur the boundaries between heroism and pathos, mirroring the emotional struggles inherent in the human condition.

In David Smith’s series Fear, he explores the feelings and anxieties that stemmed from the loss of his first child and the subsequent birth of his son. Creating sculptures reminiscent of the toys and totems that parents for millennia would use to ward off evil spirits, he offers us an endearing portrait of his fears and the concern that his neuroses will turn him into a monster worse than what he already dreads.

While art traditionally fosters communal bonds through idealized shared experiences, grotesque art creates connections by visualizing our embodied fragility, ephemerality, and mortality. Through tales of anguish, dread, and monstrosity that can be difficult to assimilate into the accepted social order, these artists capture our attention, curiosity, and empathy, all the while unsettling us.

Digital Object Identifier (DOI)

https://doi.org/10.13023/excats.2024.1

Beyond Grotesque: Contemporary Artists Confronting Abjection

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