Date Available
10-10-2014
Year of Publication
2014
Document Type
Doctoral Dissertation
Degree Name
Doctor of Musical Arts (DMA)
College
Fine Arts
Department/School/Program
Music
Advisor
Dr. Everett McCorvey
Co-Director of Graduate Studies
Professor Cynthia Lawrence
Abstract
The last decades of the 19th Century and the first decades of the 20th Century encompass a revolutionary movement worldwide. The growth and advances throughout all disciplines of study and especially the collaboration across Literature, Music, Performing Arts, Culture and Politics became stronger and more evident than ever before.
As the Mexican Revolution (1910) developed in frightening fights, the country became increasingly insecure and violent. It was the duty of the living artist to create pathways to escape reality, embellishing the surroundings with its music, paintings and poetry. This climate is what paved the way to the bohemian living-style that developed in the main cities gaining power and acceptance, especially in Mexico City.
Maria Grever, Tata Nacho and Agustín Lara represent a handful of composers/performers who wrote in the style of canciones contributing to the ideal of stability, hope and love in all forms and fashions. They represent the complexity of an era thru an outpouring of songs, depicting the romanticism of Mexico's ever changing times. They are also key figures for the growth and expansion of Mexican music throughout the world, aided by the technological advances such as the first recordings and radio broadcasting.
Recommended Citation
Castillo, Manuel M., "ITALIAN AND SPANISH INFLUENCE ON SELECTED WORKS OF MEXICAN COMPOSERS: MARÍA GREVER, IGNACIO FERNÁNDEZ ESPERÓN “TATA NACHO,” AND AGUSTÍN LARA" (2014). Theses and Dissertations--Music. 32.
https://uknowledge.uky.edu/music_etds/32
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