From 1802, when the young artist William Edward West began painting portraits on a downriver trip to New Orleans, to 1918, when John Alberts, the last of Frank Duveneck's students, worked in Louisville, a wide variety of portrait artists were active in Kentucky and the Ohio River Valley. This book charts the course of those artists as they painted the mighty and the lowly, statesmen and business magnates as well as country folk living far from urban centers. Paintings by each artist are illustrated, when possible, from The Filson Historical Society collection of some 400 portraits representing one of the ...Read More
From the tobacco fields of western Kentucky to the streets of Harlem, from the Gullah Islands off the South Carolina and Georgia coasts to the all-black republic of Haiti, painter Ellis Wilson (1899-1977) examined the scope and depth of black culture.
One of Kentucky's most significant African American artists, Wilson graduated from the Art Institute of Chicago in 1923. He spent five more years in the city before moving to New York, where he lived for the rest of his life. Aside from his participation in the WPA's Federal Arts Project and a Guggenheim Fellowship, he was never able to ...Read More
Accompanying a year-long exhibition at the University of Kentucky Art Museum, A Place Not Forgotten explores the distinctiveness of Southern landscape painting from the early nineteenth century through the 1940s. More than twenty-five color reproductions are accompanied by essays on southern art and culture by William W. Freehling, Singletary Professor of Humanities at the University of Kentucky; Jessie Poesch, professor emerita of art history at Tulane University; and J. Richard Gruber, director of the Ogden Museum of Southern Art in New Orleans. Brief commentaries from Wendell Berry, Guy Davenport, John Egerton, James Baker Hall, Sally Mann, Bobbie Ann Mason, Ed ...Read More
In 1965 Janis Sternbergs made a few playful lines in some sand on his studio table and was struck by the image he had created. A photograph of this confluence of shadows showed what seemed to be a great earth sculpture of vast depth and breadth. So began an art form which united the talents and skills of engraver, sculptor, painter, and photographer. And when Sternbergs added color effects to his images by use of photo-screen process printing, he employed the skills of still another medium—one in which he is a recognized master.
In this book Sternbergs first explains and ...Read More
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