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Online access to this book is restricted to the University of Kentucky community.

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Description

In this book, Walter Foreman studies the closing scenes of Shakespeare’s tragedies, considering the tragic structure of the plays and the shapes the tragic characters give their lives by the way they encounter death.

Foreman sees in the variety of tragic endings of the plays evidence that Shakespeare consciously experimented with tragic forms, for when he repeated he also changed, and changed more than superficially. Further, Foreman believes that these varieties and extensions of dramatic form were fundamentally a way of experiencing a various, often mysterious world. Extending and exploring the possibilities of tragic form, the playwright created dramatic worlds that mirror the possibilities of our own.

Among the tragedies, Foreman finds three—Hamlet, King Lear, and Antony and Cleopatra—that are more complex than the rest. He devotes the three final chapters of his book to the closing scenes of these plays and his readings of them are richly rewarding, giving new insights into Hamlet’s acceptance of death, Lear’s isolation in a moral storm, and Cleopatra’s triumphant staging of her own death.

Walter C. Foreman Jr. is associate professor of English at the University of Kentucky.

Publication Date

1978

Publisher

The University Press of Kentucky

Place of Publication

Lexington, KY

ISBN

9780813152349

eISBN

9780813162928

Keywords

Shakespeare, Shakespeare's tragedies, Death in literature, Hamlet, King Lear, Antony and Cleopatra

Disciplines

Literature in English, British Isles

The Music of the Close: The Final Scenes of Shakespeare's Tragedies
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