Author ORCID Identifier
https://orcid.org/0009-0006-8015-2136
Date Available
12-14-2024
Year of Publication
2024
Document Type
Doctoral Dissertation
Degree Name
Doctor of Musical Arts (DMA)
College
Fine Arts
Department/School/Program
Music
Faculty
Dr. Angelique Clay-Everett
Faculty
Dr. Martina Vasil
Abstract
American composer Libby Larsen is celebrated for her versatility and expertise in crafting intricate text-music relationships, notably exemplified in her song cycle Try Me Good King: Last Words of the Wives of Henry VIII. This research explores Larsen's innovative compositional techniques in this cycle using Cross-Domain Mapping and Conceptual Blending Theory. Drawing from Lawrence Zbikowski's work, the study employs Conceptual Integration Networks to analyze Larsen's music, revealing the intricate interplay between text and music. By synthesizing these methodologies, the research comprehensively examines Larsen's song cycle, enhancing our understanding of her composition both from a music theory perspective and from a performer’s perspective. Furthermore, the study included a personal dialogue with Larsen, which offers insights into her creative process and artistic intentions. This research contributes to broader discussions within music theory and performance studies, illuminating the rich tapestry of Larsen's musical narrative.
Digital Object Identifier (DOI)
https://doi.org/10.13023/etd.2024.507
Funding Information
- This study was supported by the Alltech Vocal Scholarship Fund from 2017-2019.
- This study was supported by the OperaLex Student Scholarship Fund in 2022.
- This study was supported by the University of Kentucky Opera Theatre fund from 2022-2024.
Recommended Citation
Loeslie, Kelsey Paige Ann, "CONCEPTUAL BLENDING: A SINGER’S ANALYSIS OF LIBBY LARSEN’S TRY ME, GOOD KING: LAST WORDS OF THE WIVES OF HENRY VIII AND A CONVERSATION WITH THE COMPOSER" (2024). Theses and Dissertations--Music. 262.
https://uknowledge.uky.edu/music_etds/262
