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Theses/Dissertations from 2017

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THE FIRST THREE GUITAR SONATAS OF DAVID DEL PUERTO, Jeremy Andrew Bass

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SINGING PORTUGUESE NASAL VOWELS: PRACTICAL STRATEGIES FOR MANAGING NASALITY IN BRAZILIAN ART SONGS, André Campelo

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HARVEST FESTIVAL BY YANN-JONG HWANG: A PIANO DUET INSPIRED BY TAIWANESE FOLK TUNES, Wei-Sian Chen

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Synchrony of the Sublime: A Performer's Guide to Duke Ellington's Wordless Melodies for Soprano, Lisa M. Clark

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Redefining the Performance Degree Curriculum for the Crossover Saxophonist, Ian M. Cruz

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Anders Åstrand: A Paragon of the Modern Musical Aesthetic, Matthew Geiger

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WHEN UNEXPECTED BEAUTY BURNS LIKE SUNLIGHT ON THE SEA: SONGS OF WINTTER WATTS, COMPOSER AND SARA TEASDALE, POET, Casey A. Huggins

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The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827, Todd R. Jones

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Analyzing Songs Used for Lyric Analysis With Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software, Ashley M. Miller

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Music Therapists’ Self-Compassion, Compassion for Others, and Professional Quality of Life, Jamie E. Rushing

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THE CADENZAS OF THE FIRST MODERN GUITAR CONCERTOS, Carlos Ricardo Saeb Valenzuela

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Misbehaving Minuets: A Preliminary Theory of Humor and Dance Form in Haydn's Opp. 76 and 77, Jennifer L. Salamone

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A Performer's Guide to Works for Trumpet and Synthesizer by Meg Bowles, Steven Siegel

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EARL KIM 12 CAPRICES FOR SOLO VIOLIN: SURVEY OF HIS INNOVATIVE SOLO VIOLIN WRITING VIA HIS TWELVE LOVE LETTERS, Chi Young Song

Theses/Dissertations from 2016

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Practices and Perceptions of Music Therapists Using Songwriting Interventions with Clients Who Are Grieving, Erin Aubrey Batkiewicz

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Childe Roland: String Quartet, Percussion and Electric Guitar, David Blevins

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The Choral Composer/Conductor Collective: An Ongoing Experiment in Musical Self-Governance, Julian D. Bryson

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UNDERSTANDING THE PERCUSSION WORKS OF ALEJANDRO VIÑAO: AN ANALYSIS AND PERFORMER’S GUIDE OF WATER FOR PERCUSSION ENSEMBLE, Christopher L. Butler

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ATTITUDINAL DIFFERENCES OF CHORAL MUSIC TEACHERS IN REGARDS TO VOCAL CHANGE TYPE, Jill C. Campbell

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Robert Nelson's A Room with a View: The Creation of a Contemporary Opera, Marcello Cormio

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Meter, Phrase, and Form in the Compositions of Maria Schneider, Benjamin M. Geyer

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SYMPHONY FOR WIND ORCHESTRA BY LUIS SERRANO ALARCÓN: BACKGROUND, ANALYSIS, AND CONDUCTOR’S GUIDE, Donald F. Goodwin

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THE EFFECT OF IMPLIED PERFORMER AGE, IMPLIED PERFORMER GENDER, AND PERFORMANCE QUALITY LEVEL ON MUSIC MAJORS’ EVALUATIONS OF SOLO MUSICAL PERFORMANCES, Ann M. Harrington

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THE ADJUDICATOR SPEAKS: A STUDY OF CHORAL FESTIVAL ADJUDICATORS’ PRACTICES, PROCEDURES AND PREFERENCES, David L. Hensley

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Current Practices in Music Therapy with Bone Marrow and Organ Transplant Recipients, Heather Humphrey