This collection was known as Theses and Dissertations--Art before July 1, 2012.

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Theses/Dissertations from 2017

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PROFESSIONAL COLLABORATION: THE VALUE OF MEANINGFUL CONVERSATION FOR THE STUDIO ART EDUCATOR, Christopher L. Bryant

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FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY, Mariia Spirina

Theses/Dissertations from 2016

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Reimagining Needed Funding for Elementary Art Programs in Fayette County Public Schools, Lori M. Barnett

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A Study on Student Learning in Higher Education: Art Exhibition Motivation, Olivia M. Lussi

Theses/Dissertations from 2015

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The Truth of Night in the Italian Baroque, Renee J. Lindsey

Theses/Dissertations from 2014

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FROM GEOLOGY TO ART HISTORY: CERAMIST ALEXANDRE BRONGNIART’S OVERLOOKED CONTRIBUTION TO THE DEVELOPING SCIENCE OF ART HISTORY IN THE EARLY NINETEENTH CENTURY, Julia A. Carr-Trebelhorn

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The Image of Antinoös: Sexy Boy or Elder God?, Ashlee R. Chilton

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LEARNING TO RETELL STORIES THROUGH COMPARATIVE TEACHING: WRITING AND DRAWING, Rachel L. Lindle

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Edward Steichen and Hollywood Glamour, Alisa Reynolds

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Looking to the Future, Selling the Past: Churchill Weavers Marketing Strategies in the 1950s, Cassandra White-Fredette

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USING VIDEO BASED INSTRUCTION TO TEACH ART TO STUDENTS WITH AUTISM SPECTRUM DISORDER, Anthony W. Woodruff

Theses/Dissertations from 2012

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FROM CELLULOID REALITIES TO BINARY DREAMSCAPES: CINEMA AND PERCEPTUAL EXPERIENCE IN THE AGE OF DIGITAL IMMERSION, Edwin Lloyd McGuy Lohmeyer

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APPLYING SPECIFIC ARTS ACTIVITIES TO IMPROVE THE QUALITY OF LIFE FOR INDIVIDUALS WITH ALZHEIMER’S DISEASE AND DEMENTIA, Ann Christianson Tietyen

Theses from 2011

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PRAGMATIC MODERNISM: PROJECT [PROJEKT] AND POLISH DESIGN, 1956-1970, Mikolaj Czerwinski

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DEFYING THE MODERNIST CANON: MIKHAIL LARIONOV’S ARTISTIC EXPERIENCE BEYOND THE CANVAS, Ella Hans

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THE ART OF NOTHINGNESS: DADA, TAOISM, AND ZEN, Erin Megan Lochmann

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CONSTRUCTING THE REAL: THE NEW PHOTOGRAPHY OF CREWDSON, GURSKY AND WALL, Melissa A. Schwartz

Theses from 2007

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FROM EXCEPTION TO NORM: DEACCESSIONING IN LATE TWENTIETH CENTURY AMERICAN ART MUSEUMS, Julianna Shubinski